Bollinger canyon park and ride
Ride Accidents
2014.06.20 06:35 DontCallMeALeeHead Ride Accidents
Amusement park ride accident reports and related news.
2019.05.26 06:03 bartmike GrandCanyonNP
A place to discuss and ask questions about Grand Canyon National Park.
2015.06.15 02:11 financialbabe Sequoia: Everything to do with Sequoia and Kings Canyon national park
2023.03.25 02:56 Ok-Journalist9511 A Simple-Minded Dog??
Hi Dog lovers!
Does anyone have experience with dogs that may be too simple-minded? My yorkie poo only wants to go outside and play fetch, and my husband and I somehow struggle to form a profound bond with him, to a point where I fear he wouldn't mind living with someone else as long as he gets plenty of playtime.
Some incidents: When we boarded him for a few days, he didn't seem to miss us. When I am sad or stressed, he doesn't seem to acknowledge my emotions and only wants me to throw balls at him. Doesn’t seem to feel remorse when doing things that we tell him not to do, such as chewing shoes, shredding toilet papers... Never growls at us, nor shows food aggression, nor has separation anxiety Doesn’t show a depth of emotions- just happiness only Doesn’t enjoy or beg to receive pets, snuggles, nor enjoy physical touch.
Here are some facts about my dog: 10-month-old Yorkie poo, male. Got him from a local breeder when he was 7 weeks old. Well socialized. Very confident with big dogs.
How we treat the dog: We take him out for a walk at least 1-2 hours a day. (45 min dog park, rest neighborhood walk) He is by himself around 2 hours Plenty of toys and snacks
submitted by Ok-Journalist9511 to dogs [link] [comments]
Does anyone have experience with dogs that may be too simple-minded? My yorkie poo only wants to go outside and play fetch, and my husband and I somehow struggle to form a profound bond with him, to a point where I fear he wouldn't mind living with someone else as long as he gets plenty of playtime.
Some incidents: When we boarded him for a few days, he didn't seem to miss us. When I am sad or stressed, he doesn't seem to acknowledge my emotions and only wants me to throw balls at him. Doesn’t seem to feel remorse when doing things that we tell him not to do, such as chewing shoes, shredding toilet papers... Never growls at us, nor shows food aggression, nor has separation anxiety Doesn’t show a depth of emotions- just happiness only Doesn’t enjoy or beg to receive pets, snuggles, nor enjoy physical touch.
Here are some facts about my dog: 10-month-old Yorkie poo, male. Got him from a local breeder when he was 7 weeks old. Well socialized. Very confident with big dogs.
How we treat the dog: We take him out for a walk at least 1-2 hours a day. (45 min dog park, rest neighborhood walk) He is by himself around 2 hours Plenty of toys and snacks
2023.03.25 02:55 Ratio01 [Walt Disney World] 3/21-3/23 Trip Report (Cosmic Rewind)
I took a family trip to Disney World for Spring Break and it actually went really great. Nearly every aspect went perfectly, weather was largely fantastic, my party got a lot done, and there were even a couple big surprises.
To keep things organized, I'll go park by park
We tried getting a VQ for Tron but unfortunately failed at both 7am and 1pm. The new credit will have to wait for another day.
The best part of the day however was
The general consensus seems to be that Conga is the best song for the ride. I got One Way or Another on my first ride, which was still pretty good.
Oh yeah, but some miracle of the coaster gods we got two rides of Cosmic Rewind, managing to land a VQ spot aftef the 1pm refresh. We got Disco Infero for that ride, which I think was slightly worse than One Way or Another but still a good pick.
Thankfully, the themepark gods were benevolent and not only made my brother the revel spy on Star Tours, but also gave us a 20 minute wait for Rise at 4:30pm, despite the posted wait time being well over an hour. To be clear, that was 20 minutes to the Rey pre-show, we still had to wait another 10 minutes to get the interrogation room, and got held back for another 10 minutes due to technical errors. But, even still, the entire thing, from us entering the queue to exiting the ride, was exactly an hour, which is just fantastic for Rise.
After that we watched Muppetvision, ended the day with Fantasmic, and my brother and I used our second Tower of Terror Lightning Lane to close out the trip with an encore..
In all, a great trip, with the only real downers being not getting on Tron, Rock'n being closed, Slinky breaking, and Hollywood Studios just being a hot day, but even thing the only thing I got genuinely upset by was Slinky breaking. I also bought some merch on my way out; a Hades hoodie, some Spider-Man pins, and a Hatbox Ghost figpin.
I don't know when I'll be visiting Disney World again but this was a damn good visit to hold me over til then. This was my first time visiting WDW not part of a multi-family party in over 2 years and it made me realize just how much I love these parks when 8+ people aren't trying to plan a day that needs to accommodate for a toddler.
submitted by Ratio01 to rollercoasters [link] [comments]
To keep things organized, I'll go park by park
Magic Kingdom
On Tuesday we did Magic Kingdom. For this day, we decided to try out the Genie+ system for the first time, and, regrettably, it was really useful. I absolutely hate that a once free skip the line system is now paid and more restrictive in terms of how many fast passes you can book, but even with that Genie+ saved us a lot of time. We managed to snag times for the two Mountains, Huanted Mansion, and Jungle Cruise, and waited Stand By for Pirates, Seven Dwarves, and did a grand circle tour of WDW Railroad first time upon enter. Even the lines we did wait through were fairly manageable, with Pirates being 45 and Seven Dwarves being 90.We tried getting a VQ for Tron but unfortunately failed at both 7am and 1pm. The new credit will have to wait for another day.
Epcot
On Wednesday we did Epccot and this was by far the most lucrative day. Instead of doing Genie+, we chose to buy and individual Lightning Lane for Cosmic Rewind. I feel that was the best move cause the wait times were honestly really good, even Frozen and Ratatouille never extended past the 70min mark. We got a lot done that day, even getting near walk ons for Spaceship Earth and Soarin (and Living With the Land but peak is always a station wait at most).The best part of the day however was
Credit 58: Cosmic Rewind
Instead of leaving it up to chance, we bit the bullet for Cosmic Rewind and bought individual Lightning Lanes and, man, I'm glad we did. This ride is fucking amazing. I'm still on the fence of if it tops Everest as my favorite WDW coaster, but if I decide it does I'm glad it's this one. While light on air time, everything else of the ride is so good that I honestly don't mind. The theming is engaging and clever, the on board audio is perfect, the layout is really fun and there were even moments of surprising strong positives. I've been waiting to get a ride on this for well over a year and it blew my expectations out of the water.The general consensus seems to be that Conga is the best song for the ride. I got One Way or Another on my first ride, which was still pretty good.
Oh yeah, but some miracle of the coaster gods we got two rides of Cosmic Rewind, managing to land a VQ spot aftef the 1pm refresh. We got Disco Infero for that ride, which I think was slightly worse than One Way or Another but still a good pick.
Hollywood Studios
The final day of the trip was Hollywood Studios, which was definitely the most mixed day. We did Genie+ this day, which worked put great. We landed times for Tower of Terror (twice), Runaway Railway, Toy Story Mania Smuggler's Run, and Beauty and the Beast. What we did not snag a time for was Slinky, which I very much wish we did. With a posted wait time of 90min, we ended up waiting 2 hours due to the ride breaking when we were just a couple switchbacks away from boarding. Waiting through a 90min + 15min break down for the most mid ride in the entire resort is not sonething I'd wish on my worst enemy.Thankfully, the themepark gods were benevolent and not only made my brother the revel spy on Star Tours, but also gave us a 20 minute wait for Rise at 4:30pm, despite the posted wait time being well over an hour. To be clear, that was 20 minutes to the Rey pre-show, we still had to wait another 10 minutes to get the interrogation room, and got held back for another 10 minutes due to technical errors. But, even still, the entire thing, from us entering the queue to exiting the ride, was exactly an hour, which is just fantastic for Rise.
After that we watched Muppetvision, ended the day with Fantasmic, and my brother and I used our second Tower of Terror Lightning Lane to close out the trip with an encore..
In all, a great trip, with the only real downers being not getting on Tron, Rock'n being closed, Slinky breaking, and Hollywood Studios just being a hot day, but even thing the only thing I got genuinely upset by was Slinky breaking. I also bought some merch on my way out; a Hades hoodie, some Spider-Man pins, and a Hatbox Ghost figpin.
I don't know when I'll be visiting Disney World again but this was a damn good visit to hold me over til then. This was my first time visiting WDW not part of a multi-family party in over 2 years and it made me realize just how much I love these parks when 8+ people aren't trying to plan a day that needs to accommodate for a toddler.
2023.03.25 02:54 tttt5re You see how she throws that ass back and how she rides I will give her my whole house she deserves it fuck
 | submitted by tttt5re to Electrbc [link] [comments] |
2023.03.25 02:54 Shadow_Guy01 23 ZX-14R trans slipping (4th gear usually)
Just bought this, 1200 miles on it now. It's been through first service (self done). I had an issue once, around 800 miles. I was going... quickly.. down the interstate, and shifted 4-5 at about 9.5k RPM and it slipped neutral, and snapped into 5th right after.
Today, I was slowing to a stop, shifted 5-4 (maybe 4-3) at about 3k RPM. But it went loose and lost all drive power, I wasn't on the gas but no engine break. This time I heard a slight rattle, sounded like almost an engine knock, and it didn't click into a gear. I shifted it up and down, and it clicked into 4. No other problems after. Drove like it never happened.
Where do i start looking? Is this the clutch? Or do I have a warranty issue on my hands at the start of the riding season?
submitted by Shadow_Guy01 to Fixxit [link] [comments]
Today, I was slowing to a stop, shifted 5-4 (maybe 4-3) at about 3k RPM. But it went loose and lost all drive power, I wasn't on the gas but no engine break. This time I heard a slight rattle, sounded like almost an engine knock, and it didn't click into a gear. I shifted it up and down, and it clicked into 4. No other problems after. Drove like it never happened.
Where do i start looking? Is this the clutch? Or do I have a warranty issue on my hands at the start of the riding season?
2023.03.25 02:54 JQLine82 scary pit bull neighbor advice
I live in an RV park temporarily. Everyday I walk my Weiner dog around the loop a couple times. There's a pitbull nearby that is always left unleashed and has once charged me. The pit was caught it in time, I whisked my dog into my arms and was very noisy, I'm a very small girl and wouldn't be able to attack if something happened. My parents don't understand why I don't want to walk my dog anymore. The pits owners also never pick up they're dogs crap so I make sure to loudly complain. I'm scared. The office people don't care because they're friends with the pitties owners. I used to have a pit/husky and after 3 years he snapped and bit a kid we were babysitting in the head. Ironic because it was our dog trainers kid. I guess this is more of a vent because I really don't know what I could do besides wait to move out.
submitted by JQLine82 to BanPitBulls [link] [comments]
2023.03.25 02:53 hawtymin Girl have her priorities straight [the way to protect the lovable you]
![Girl have her priorities straight [the way to protect the lovable you]](https://a.thumbs.redditmedia.com/988B58JTcGc-MdOnpEUDHtJZCFQqjfU0MF0O1YkJ-l8.jpg "Girl have her priorities straight [the way to protect the lovable you]") | "Our bodies will be touching" Yes gurl you know!!😩🤌 submitted by hawtymin to manhwa [link] [comments] |
2023.03.25 02:53 DancinLance6 Golden retriever pup training
Hello,
Our family has a 5yo Shorkie and last October we got a female golden retriever pup, she is now 7 months old and brings us so much joy! I was hoping to tackle a few areas on improvement that I would like to make for us as owners.
Pee/Poop Locations: When we got her it was not long after that the snow of the Midwest lurked and sidewalks were deep in snow, we allowed our pups to poop/pee in the backyard, now that it is spring I am trying to take her on walks to pee/poop on the sidewalk but she holds it in and will only do it on our lawn which is understandable as it is what she knows. Our shorkie when he was a pup we lived in a apartment so it was easier to train him to go outside on the sidewalk grass. Any tips on how to encourage peeing/pooping in other places and not just restricting to our small lawn (should we use verbal cue such as No to creative a negative when she goes on the lawn so she holds it for outside on our walks?
Walking: This is my first big dog breed and controlling her on a leash can be hard at times, if I power walk she will walk fast to keep up but likes to tug on leashes. Also if we stop to let others walk past she will bark or try to jump up. I have watched a few videos about holding treats close and giving as they walk well beside you though when I try this she engages for a treat then will want to walk ahead and tug then will turn around and come back for a treat.
Other dogs: Our golden and our shorkie get on well, our shorkie does not like going to dog parks and is your typing yappy dog that likes to bark at other dogs walking past the window or the mailman. Our golden has joined him when it comes to barking in our yard or barking indoors, I assume it is a territorial/safety instinct that kicks in. Another dog person told me that sometimes dogs will bark at others when coming to their home outside as they are being protective of their owners ....of course when friends visit and they come in our house they are super sweet but its the unknown of someone walking up to the door or mailman going past the like to bark a lot.
The question I have about other dogs is what is a good way of ensuring she is not scared of other dogs who bark on walks or completely ignore other dogs.
Thank you
submitted by DancinLance6 to Dogtraining [link] [comments]
Our family has a 5yo Shorkie and last October we got a female golden retriever pup, she is now 7 months old and brings us so much joy! I was hoping to tackle a few areas on improvement that I would like to make for us as owners.
Pee/Poop Locations: When we got her it was not long after that the snow of the Midwest lurked and sidewalks were deep in snow, we allowed our pups to poop/pee in the backyard, now that it is spring I am trying to take her on walks to pee/poop on the sidewalk but she holds it in and will only do it on our lawn which is understandable as it is what she knows. Our shorkie when he was a pup we lived in a apartment so it was easier to train him to go outside on the sidewalk grass. Any tips on how to encourage peeing/pooping in other places and not just restricting to our small lawn (should we use verbal cue such as No to creative a negative when she goes on the lawn so she holds it for outside on our walks?
Walking: This is my first big dog breed and controlling her on a leash can be hard at times, if I power walk she will walk fast to keep up but likes to tug on leashes. Also if we stop to let others walk past she will bark or try to jump up. I have watched a few videos about holding treats close and giving as they walk well beside you though when I try this she engages for a treat then will want to walk ahead and tug then will turn around and come back for a treat.
Other dogs: Our golden and our shorkie get on well, our shorkie does not like going to dog parks and is your typing yappy dog that likes to bark at other dogs walking past the window or the mailman. Our golden has joined him when it comes to barking in our yard or barking indoors, I assume it is a territorial/safety instinct that kicks in. Another dog person told me that sometimes dogs will bark at others when coming to their home outside as they are being protective of their owners ....of course when friends visit and they come in our house they are super sweet but its the unknown of someone walking up to the door or mailman going past the like to bark a lot.
The question I have about other dogs is what is a good way of ensuring she is not scared of other dogs who bark on walks or completely ignore other dogs.
Thank you
2023.03.25 02:53 nonecknoel when you need to take your wife’s bike to the shop and ride your brompton back home. thanks bakkie bag!
 | submitted by nonecknoel to CargoBike [link] [comments] |
2023.03.25 02:52 fac429 Charlotte to Great Smoky Mountains National Park
Hello! Hoping that many of you familiar with the BRP can help me out a bit. My family will be driving from Charlotte to Great Smoky Mountains National Park the first week of April. I've been studying maps to figure out the best way of doing that while driving at least some of the BRP without forcing the rest of my family to spend ALL day in the car. So I'm hoping that you can provide a little advice on how we should go about getting from Point A (Charlotte) to Point B (Great Smoky Mountains National Park) in a way that's beautiful but not overly long.
I realize the "fastest" way to get to the BRP from Charlotte is to go straight north. Problem with that is that from there we end up spending a pretty significant amount of time driving the BRP, and ideally we'd like to try to get to the Park sometime around the middle of the afternoon.
There's a lot of other options, like trying to pick up the BRP near Asheville or further west. We can also "shortcut" across parts of Hwy 19 as we get near the end. But I don't want to do the latter if it means skipping some of the best parts of the drive.
Any advice is welcome. This is our first time driving any part of the Blue Ridge Parkway, first time in North Carolina, first time for pretty much all of this. Thanks so much for your help!
submitted by fac429 to BlueRidgeParkway [link] [comments]
I realize the "fastest" way to get to the BRP from Charlotte is to go straight north. Problem with that is that from there we end up spending a pretty significant amount of time driving the BRP, and ideally we'd like to try to get to the Park sometime around the middle of the afternoon.
There's a lot of other options, like trying to pick up the BRP near Asheville or further west. We can also "shortcut" across parts of Hwy 19 as we get near the end. But I don't want to do the latter if it means skipping some of the best parts of the drive.
Any advice is welcome. This is our first time driving any part of the Blue Ridge Parkway, first time in North Carolina, first time for pretty much all of this. Thanks so much for your help!
2023.03.25 02:52 embxsanrose I can never be upset without my parents getting upset and nobody ever cares to listen to what I'm feeling
Today my mom had an appointment at this place to finalize some order for something. She told me that I am coming and I refused, because I knew I would just be bored and it would be a waste of my time because there was really no need for me there. After I kept saying no she still forced me so I had to go.
I wasted two hours doing LITERALLY nothing, I spent those whole two hours sitting at this table, bored out of mind and on my phone. Finally, we left and I was very quiet in the car because my mom has this thing of getting mad or upset whenever I feel mad or upset. She then asked me if I wanted to eat, and I had kind of an attitude to my voice I guess because I said "No, please just drive me home, I have wasted two hours of my life doing nothing but sitting there." I then kept going, saying "You always do this. You always force me to go places where I do nothing and I waste my time just because for some reason you can't go alone" and then after a few moments of quiet of COURSE she has to get upset and start complaining about her life.
"I don't know why I waste my time doing these things, blah, blah, blah" and then suddenly it went to about how she didnt even wanna get married but she had to, this that and she's getting all upset and she's screaming so I go "You do this everytime. I knew this would happen because whenever I get upset over anything, you have to get upset." I kept quiet for the rest of the ride home and I went upstairs to cry by myself because whenever I cry my parent they always get mad. Anyway, my mom tells me to come downstairs to eat but I come down and tell her I don't want to and she see's from my eyes that I've been crying and she gets mad AGAIN.
She keeps screaming "Tell me why you're crying! Stop crying!" I just take the food and I go upstairs and then a little while later she acts as if nothing's happened. She tells me to do something for her, and then a little while later she goes grocery shopping and she bought something I've been talking about and shes like "Look what I bought!" and now that she calmed down I confronted her and I'm like "Just stop. You always do this." And she's like "What did I do?" And I tell her that whenever I'm upset over something she has to go and get upset and have a huge overreaction and this and that. She just keeps quiet and hasn't said a word to me since.
I have this thing where when I get upset, it just kind of ruins my mood for the whole day so now I can't relax or do anything. I then decide to text my close friends groupchat, where I explain what happens and only one friend responds and she's like "This sounds stupid". One out of five people who read my messages and this ALWAYS happens. Whenever someone needs to talk to me about their problems I am always listening or giving advice but whenever it comes to me nobody cares or listens. Everyone thinks that just because I have anger issues means that everytime I get mad it isnt for a good reason or a big deal but I get that why I got upset seems stupid, but I started crying because my mom when she was yelling was saying things that made me feel like I was just a big mistake, and I feel like I can never express my emotions because my parents will be mad and I have nobody to talk to about it and I feel like I'm going crazy. I have been dealing with this for so many years so I dont care if you're reading this and you think its stupid. I am actually so done and I'm reaching my breaking point and I wish I could just ditch everyone and everything because honestly fuck this.
submitted by embxsanrose to offmychest [link] [comments]
I wasted two hours doing LITERALLY nothing, I spent those whole two hours sitting at this table, bored out of mind and on my phone. Finally, we left and I was very quiet in the car because my mom has this thing of getting mad or upset whenever I feel mad or upset. She then asked me if I wanted to eat, and I had kind of an attitude to my voice I guess because I said "No, please just drive me home, I have wasted two hours of my life doing nothing but sitting there." I then kept going, saying "You always do this. You always force me to go places where I do nothing and I waste my time just because for some reason you can't go alone" and then after a few moments of quiet of COURSE she has to get upset and start complaining about her life.
"I don't know why I waste my time doing these things, blah, blah, blah" and then suddenly it went to about how she didnt even wanna get married but she had to, this that and she's getting all upset and she's screaming so I go "You do this everytime. I knew this would happen because whenever I get upset over anything, you have to get upset." I kept quiet for the rest of the ride home and I went upstairs to cry by myself because whenever I cry my parent they always get mad. Anyway, my mom tells me to come downstairs to eat but I come down and tell her I don't want to and she see's from my eyes that I've been crying and she gets mad AGAIN.
She keeps screaming "Tell me why you're crying! Stop crying!" I just take the food and I go upstairs and then a little while later she acts as if nothing's happened. She tells me to do something for her, and then a little while later she goes grocery shopping and she bought something I've been talking about and shes like "Look what I bought!" and now that she calmed down I confronted her and I'm like "Just stop. You always do this." And she's like "What did I do?" And I tell her that whenever I'm upset over something she has to go and get upset and have a huge overreaction and this and that. She just keeps quiet and hasn't said a word to me since.
I have this thing where when I get upset, it just kind of ruins my mood for the whole day so now I can't relax or do anything. I then decide to text my close friends groupchat, where I explain what happens and only one friend responds and she's like "This sounds stupid". One out of five people who read my messages and this ALWAYS happens. Whenever someone needs to talk to me about their problems I am always listening or giving advice but whenever it comes to me nobody cares or listens. Everyone thinks that just because I have anger issues means that everytime I get mad it isnt for a good reason or a big deal but I get that why I got upset seems stupid, but I started crying because my mom when she was yelling was saying things that made me feel like I was just a big mistake, and I feel like I can never express my emotions because my parents will be mad and I have nobody to talk to about it and I feel like I'm going crazy. I have been dealing with this for so many years so I dont care if you're reading this and you think its stupid. I am actually so done and I'm reaching my breaking point and I wish I could just ditch everyone and everything because honestly fuck this.
2023.03.25 02:52 gonemad16 First attempt: George Dates a driving instructor but can't decipher if they're dating or she's giving lessons. Kramer goes to the cinema just for the popcorn.
So I am attempting to get chatgpt to write a full seinfeld script (through bing). It errors out a lot so this has been the best attempt so far at getting a full episode. Premise is from here: https://www.reddit.com/RedditWritesSeinfeld/comments/11zomnc/george_dates_a_driving_instructor_but_cant/
George Dates a driving instructor but can't decipher if they're dating or she's giving lessons. Kramer goes to the cinema just for the popcorn. Elaine dates a male feminist. Jerry stars in Who’s Line Is It Anyway and bombs the improv
I cut Jerry and Elaines story line since chatgpt would error out or get some content policy issue. The final scene failed as well and I hit the limit but it was a decent attempt
Scene 1:
``` [INT. COFFEE SHOP - DAY]
GEORGE: (sitting at a table with a newspaper) Ah, what a beautiful day. The sun is shining, the birds are singing, and I have nothing to do but enjoy this cup of coffee. (looks around) Maybe I'll even meet someone interesting today. You never know.
DENISE: (approaching his table) Excuse me, is this seat taken?
GEORGE: (looks up and sees a young woman with a driving school jacket) No, no, please, sit down.
DENISE: Thanks. (sits down and puts her jacket on the chair) I'm Denise, by the way.
GEORGE: George. Nice to meet you.
DENISE: Likewise. So, what do you do, George?
GEORGE: Well, I'm an architect.
DENISE: Really? That's impressive.
GEORGE: Thank you. Thank you very much. And you?
DENISE: I'm a driving instructor.
GEORGE: A driving instructor? Wow, that's... that's something.
DENISE: Yeah, it's not the most glamorous job, but it pays the bills.
GEORGE: I bet you have some stories to tell.
DENISE: Oh, you have no idea. Some of the people I have to teach are unbelievable. They don't know how to signal, they don't know how to park, they don't know how to merge...
GEORGE: They don't know how to merge? How can they not know how to merge?
DENISE: I know, right? It's like they've never driven before.
GEORGE: Well, maybe they haven't.
DENISE: Well, then they shouldn't be on the road.
GEORGE: Exactly. Exactly. You and I are on the same page, Denise.
DENISE: (laughs) I guess we are.
GEORGE: So, Denise... can I ask you something?
DENISE: Sure.
GEORGE: Would you like to go out with me?
DENISE: (smiles) Really? You want to go out with me?
GEORGE: Yes. Yes, I do.
DENISE: Well... okay. Sure. Why not?
GEORGE: Great. Great. How about tomorrow?
DENISE: Tomorrow sounds good.
GEORGE: Perfect. Perfect. Where should we meet?
DENISE: How about the driving school? It's on 5th and Main.
GEORGE: The driving school? Okay... sure... why not?
DENISE: Great. I'll see you there at 10.
GEORGE: 10? In the morning?
DENISE: Yeah. Is that a problem?
GEORGE: No... no... not at all... 10 is fine...
DENISE: Okay then. It's a date.
GEORGE: It's a date. (smiles nervously)
[END OF SCENE] ```
Scene 2:
``` [INT. MOVIE THEATER - DAY]
KRAMER: (sitting in the front row with a large bucket of popcorn) Mmm... this popcorn is amazing. (takes a handful and shoves it in his mouth) So buttery, so salty, so crunchy... (chews loudly)
JERRY: (sitting next to him) Kramer, can you keep it down? You're making too much noise.
KRAMER: What? I can't hear you. The movie's too loud.
JERRY: The movie's too loud? It's a silent film.
KRAMER: Well, then why are we here?
JERRY: Because you wanted to see it.
KRAMER: I did?
JERRY: Yes, you did. You said it was a classic.
KRAMER: I did?
JERRY: Yes, you did.
KRAMER: Well, I don't remember that.
JERRY: Well, you did.
KRAMER: Well, maybe I did. But I don't care about it now. All I care about is this popcorn. (takes another handful and shoves it in his mouth)
JERRY: Kramer, you've been eating popcorn non-stop for the past hour. Don't you think you've had enough?
KRAMER: Enough? Jerry, there's no such thing as enough when it comes to this popcorn. It's the best popcorn I ever had in my life. And I've had a lot of popcorn.
JERRY: Really? How much?
KRAMER: How much? Jerry, I've been going to the movies every day for the past two weeks just for the popcorn.
JERRY: Every day?
KRAMER: Every day.
JERRY: Even if you don't care about the film?
KRAMER: Even if I don't care about the film.
JERRY: Kramer, that's insane.
KRAMER: No, Jerry, that's genius. Think about it. For the price of one ticket, I get unlimited access to the best popcorn in the world. And I get to see a different movie every time. It's like a buffet of entertainment.
JERRY: But you don't even watch the movies.
KRAMER: So what? They're all the same anyway. Boy meets girl, boy loses girl, boy gets girl back. Blah blah blah. Who needs that when you have this? (holds up the bucket of popcorn)
JERRY: Kramer, you have a problem.
KRAMER: No, Jerry, I have a solution.
[END OF SCENE] ```
Scene 3:
``` [INT. DRIVING SCHOOL CAR - DAY]
GEORGE: (sitting in the driver's seat) So, here we are.
DENISE: (sitting in the passenger seat) Yes, here we are.
GEORGE: You look lovely today.
DENISE: Thank you.
GEORGE: So, where are we going?
DENISE: We're going to drive around the block and practice some basic skills.
GEORGE: Oh. Okay.
DENISE: Are you ready?
GEORGE: Ready as I'll ever be.
DENISE: All right, then. Start the engine.
GEORGE: (starts the engine) There we go.
DENISE: Good. Now, put your seat belt on.
GEORGE: (puts his seat belt on) Safety first.
DENISE: Right. Now, check your mirrors.
GEORGE: (checks his mirrors) Check.
DENISE: Good. Now, put your foot on the brake.
GEORGE: (puts his foot on the brake) Brake.
DENISE: Good. Now, put the car in drive.
GEORGE: (puts the car in drive) Drive.
DENISE: Good. Now, release the brake and gently press the gas pedal.
GEORGE: (releases the brake and gently presses the gas pedal) Gas.
DENISE: Good. Now, steer the car to the right and exit the parking lot.
GEORGE: (steers the car to the right and exits the parking lot) Right.
DENISE: Good. Now, keep your eyes on the road and follow the traffic signs and signals.
GEORGE: (keeps his eyes on the road and follows the traffic signs and signals) Road.
DENISE: Good. You're doing great.
GEORGE: (smiles) Thanks. You're a great teacher.
DENISE: Thank you.
(Silence)
GEORGE: So...
DENISE: So...
(Silence)
GEORGE: Can I ask you something?
DENISE: Sure.
GEORGE: Are we... are we on a date?
DENISE: What?
GEORGE: Are we on a date? I mean, you agreed to go out with me yesterday at the coffee shop, right?
DENISE: Well, yes, but...
GEORGE: But what?
DENISE: But this is not a date. This is a driving lesson.
GEORGE: A driving lesson?
DENISE: Yes, a driving lesson. I'm a driving instructor, remember?
GEORGE: Well, yes, but...
DENISE: But what?
GEORGE: But why did you tell me to meet you at the driving school? Why didn't you tell me to meet you somewhere else? Somewhere more... date-like?
DENISE: Because this is where I work. This is where I have my car. This is where I teach people how to drive.
GEORGE: But you don't have to teach me how to drive. I already know how to drive.
DENISE: Really? Then why did you sign up for a driving lesson?
GEORGE: Because I thought it was a date!
DENISE: Well, it's not!
(A car horn honks behind them)
DENISE: Watch out! You're blocking the intersection!
(GEORGE swerves and hits a fire hydrant)
[END OF SCENE] ```
Scene 4:
``` [INT. MOVIE THEATER - DAY]
KRAMER: (sitting in the back row with a large paper bag) Mmm... this popcorn is amazing. (takes a handful and shoves it in his mouth) So buttery, so salty, so crunchy... (chews loudly)
USHER: (approaching him) Excuse me, sir. Can I see your ticket?
KRAMER: (swallows) Sure, sure. Here you go. (hands him a ticket)
USHER: (looks at the ticket) Sir, this ticket is for yesterday.
KRAMER: Oh, really? Well, that's a mistake. I bought it today.
USHER: Sir, I don't think so. This ticket is clearly dated and stamped.
KRAMER: Well, maybe the machine was broken.
USHER: Sir, please don't lie to me. I know you're trying to sneak in.
KRAMER: Sneak in? Me? No, no, no. I would never do that.
USHER: Sir, I'm going to have to ask you to leave.
KRAMER: Leave? But I'm watching the movie.
USHER: Sir, you're not watching the movie. You're eating popcorn.
KRAMER: Well, what's wrong with that?
USHER: Sir, where did you get that popcorn?
KRAMER: (looks at the bag) This popcorn?
USHER: Yes, that popcorn.
KRAMER: Well... I brought it from home.
USHER: You brought it from home?
KRAMER: Yeah. Yeah, I did.
USHER: Sir, you can't bring your own popcorn to the theater. That's against the rules.
KRAMER: Rules? What rules?
USHER: The rules that say you have to buy your popcorn from the concession stand.
KRAMER: Oh, those rules.
USHER: Yes, those rules.
KRAMER: Well, I didn't know about those rules.
USHER: Sir, they're posted everywhere. No outside food or drink allowed.
KRAMER: Well, I didn't see them.
USHER: Sir, they're right there. (points to a sign)
KRAMER: Oh. Well, I didn't read them.
USHER: Sir, please stop making excuses. You know you're not supposed to bring your own popcorn.
KRAMER: Okay, okay. Fine. You got me. I brought my own popcorn. So what?
USHER: So what? So what? Sir, do you have any idea how much money we make from selling popcorn?
KRAMER: No.
USHER: A lot. A lot of money. Popcorn is our main source of income. It's how we pay our bills. It's how we keep this theater running.
KRAMER: Really?
USHER: Yes, really. And when you bring your own popcorn, you're taking away our profits. You're stealing from us.
KRAMER: Stealing? Come on. That's a bit harsh.
USHER: No, it's not. It's the truth. And you know what we do to thieves?
KRAMER: What?
USHER: We ban them from the theater.
KRAMER: Ban them?
USHER: Yes, ban them. As in never let them come back again.
KRAMER: Never?
USHER: Never.
KRAMER: But... but...
USHER: But nothing. You're banned, buddy. Banned for life.
KRAMER: Banned for life?
USHER: Banned for life.
(KRAMER gasps and drops the bag of popcorn)
[END OF SCENE] ```
Scene 5:
``` [INT. DRIVING SCHOOL OFFICE - DAY]
GEORGE: (sitting across from DENISE) Denise, I need to talk to you.
DENISE: What is it, George?
GEORGE: Look, I'm sorry about what happened yesterday. I didn't mean to cause an accident.
DENISE: It's okay, George. It wasn't your fault.
GEORGE: It wasn't?
DENISE: No, it was the fire hydrant's fault. It shouldn't have been there.
GEORGE: Oh. Well, that's good to know.
DENISE: Yeah.
(Silence)
GEORGE: So...
DENISE: So...
(Silence)
GEORGE: Denise, I have to ask you something.
DENISE: What is it, George?
GEORGE: Are we... are we dating?
DENISE: (sighs) George, we've been over this.
GEORGE: I know, I know. But I need a clear answer. Yes or no?
DENISE: No, George. We are not dating.
GEORGE: We're not?
DENISE: No, we're not.
GEORGE: But why not?
DENISE: Because this is not a relationship. This is a business transaction.
GEORGE: A business transaction?
DENISE: Yes, a business transaction. You pay me to teach you how to drive. That's it.
GEORGE: But what about the coffee shop? What about the conversation? What about the chemistry?
DENISE: What chemistry?
GEORGE: The chemistry! The spark! The connection!
DENISE: George, there was no spark. There was no connection. There was only coffee.
GEORGE: Only coffee?
DENISE: Only coffee.
GEORGE: But you smiled at me. You laughed at my jokes. You touched my arm.
DENISE: I was being polite. I was being friendly. I was being professional.
GEORGE: Professional?
DENISE: Yes, professional. George, I'm a driving instructor. That's my job. And part of my job is to make my students feel comfortable and confident behind the wheel.
GEORGE: Comfortable and confident?
DENISE: Yes, comfortable and confident.
GEORGE: Well, you failed miserably at that.
DENISE: Excuse me?
GEORGE: You heard me. You're a terrible driving instructor.
DENISE: I'm a terrible driving instructor?
GEORGE: Yes, you are.
DENISE: How dare you say that? I'm one of the best driving instructors in this city.
GEORGE: Oh, really? Then how come you couldn't teach me how to drive?
DENISE: Because you're a hopeless case, George. You're a terrible driver.
GEORGE: I'm a terrible driver?
DENISE: Yes, you are.
GEORGE: How dare you say that? I'm one of the best drivers in this city.
DENISE: Oh, really? Then how come you crashed into a fire hydrant?
GEORGE: Because it shouldn't have been there!
DENISE: That's no excuse, George. You have no sense of direction, no sense of speed, no sense of traffic rules. You don't know how to signal, you don't know how to park, you don't know how to merge...
GEORGE: Hey, hey, hey! Enough with the merging already!
DENISE: George, face it. You need more lessons.
GEORGE: More lessons?
DENISE: Yes, more lessons.
(GEORGE stands up and grabs his coat)
GEORGE: Forget it, Denise. Forget it. I don't need more lessons. I don't need you. I don't need anyone. I'm outta here.
(GEORGE storms out of the office)
[END OF SCENE] ```
Scene 6:
[INT. JERRY'S APARTMENT - DAY]
JERRY: (on the phone) Hello? Kramer? Is that you?
KRAMER: (on the other end) Yeah, Jerry. It's me.
JERRY: Kramer, where have you been? I haven't seen you in weeks.
KRAMER: I've been... busy.
JERRY: Busy? Doing what?
KRAMER: You know... stuff.
JERRY: Stuff? What kind of stuff?
KRAMER: Just... stuff.
JERRY: Kramer, are you okay? You sound depressed.
KRAMER: Depressed? Me? No, no, no. I'm fine.
JERRY: Are you sure?
KRAMER: Yeah, yeah, yeah. I'm sure.
JERRY: Well, then why don't you come over? We're having a poker night. George and Elaine are here.
KRAMER: Poker night? No, thanks. I'm not in the mood.
JERRY: Not in the mood? Since when are you not in the mood for poker?
KRAMER: Since... since now.
JERRY: Kramer, what's going on? What's wrong?
KRAMER: Nothing's wrong, Jerry. Nothing's wrong.
JERRY: Come on, Kramer. You can tell me. I'm your friend.
KRAMER: (sighs) All right, Jerry. All right. I'll tell you.
JERRY: Okay. Tell me.
KRAMER: I'm... I'm out of popcorn.
JERRY: Out of popcorn?
KRAMER: Yeah. Out of popcorn.
JERRY: And that's why you're depressed?
KRAMER: Well, yeah. Jerry, you don't understand. This is not just any popcorn. This is the best popcorn in the world. The cinema popcorn.
JERRY: The cinema popcorn?
KRAMER: Yeah. The cinema popcorn. The popcorn that makes life worth living. The popcorn that fills my soul with joy and happiness.
JERRY: Okay...
KRAMER: And I can't have it anymore, Jerry. I can't have it anymore.
JERRY: Why not?
KRAMER: Because they banned me from the theater, Jerry. They banned me for life.
JERRY: They banned you for life?
KRAMER: Yeah. They banned me for life.
JERRY: Why did they ban you for life?
KRAMER: Because I was taking popcorn from other people's seats, Jerry. I was taking popcorn from other people's seats.
JERRY: You were taking popcorn from other people's seats?
KRAMER: Yeah. I was taking popcorn from other people's seats.
JERRY: Kramer, that's stealing.
KRAMER: No, Jerry. That's surviving.
JERRY: Surviving?
KRAMER: Yeah. Surviving. Jerry, you don't know what it's like to be addicted to popcorn. To crave it every day. To need it every hour. To live for it every minute.
JERRY: No, I don't.
KRAMER: Well, I do, Jerry. I do. And when they cut me off from my supply, I had to find another way to get it. And the only way was to take it from others.
JERRY: Kramer, that's crazy.
KRAMER: No, Jerry. That's desperate.
JERRY: Desperate?
KRAMER: Yeah. Desperate. And it worked for a while, Jerry. It worked for a while. But then they caught me. They caught me red-handed with a handful of popcorn in my mouth and a bucket of popcorn in my lap.
JERRY: And then what happened?
KRAMER: And then they kicked me out of the theater, Jerry. They kicked me out and they told me never to come back again.
JERRY: Wow.
KRAMER: Yeah. Wow.
(Silence)
JERRY: Well... that's too bad.
KRAMER: Yeah. Too bad.
(Silence)
JERRY: So... what are you going to do now?
KRAMER: I don't know, Jerry. I don't know. I've tried everything else. Microwave popcorn, stovetop popcorn, air-popped popcorn... but none of them compare to the cinema popcorn. None of them have that magic touch.
JERRY: Well... maybe you should try something else.
KRAMER: Like what?
JERRY: Like... chips?
KRAMER: Chips? Chips?! Jerry, are you kidding me? Chips are nothing compared to popcorn! Chips are dry
[END OF SCENE] ```
Scene 7: Attempted ending with ChatGPT having no context
``` [INT. JERRY'S APARTMENT]
GEORGE: (angrily) I can't believe it! She dumped me because I'm a bad driver!
JERRY: Who dumped you?
GEORGE: Denise! The driving instructor!
JERRY: The driving instructor dumped you because you're a bad driver?
GEORGE: Yes! She said I have no sense of direction, I don't signal properly, and I brake too hard!
JERRY: Well, maybe she has a point.
GEORGE: What do you mean?
JERRY: Come on, George. You're not exactly Mario Andretti behind the wheel.
GEORGE: Oh, and you are?
JERRY: Well, I'm better than you.
GEORGE: Oh, please. You're a nervous wreck. You always grip the steering wheel like it's a life preserver.
JERRY: That's because it is. Have you seen the way people drive in this city?
ELAINE: (entering) Hey, guys.
GEORGE: Elaine, you're a witness. Who's a better driver? Me or Jerry?
ELAINE: Oh, boy. That's a tough one.
GEORGE: Come on, Elaine. Be honest.
ELAINE: Well...Jerry.
GEORGE: Jerry?!
ELAINE: Yeah, sorry, George. Jerry's a better driver.
GEORGE: How can you say that?
ELAINE: Well, for one thing, he doesn't yell at every pedestrian and cyclist on the road.
GEORGE: They're in my way!
ELAINE: And he doesn't honk his horn every five seconds.
GEORGE: It's a form of communication!
ELAINE: And he doesn't park on the sidewalk.
GEORGE: There's no space on the street!
JERRY: George, face it. You're a bad driver.
GEORGE: I'm not a bad driver! I'm a good driver!
KRAMER: (entering) Hey, hey, hey! What's going on here?
ELAINE: Oh, hi, Kramer.
KRAMER: What are you guys talking about?
JERRY: George got dumped by his driving instructor because he's a bad driver.
KRAMER: Oh, that's too bad.
GEORGE: Thank you, Kramer. Finally, someone who sympathizes with me.
KRAMER: Yeah, yeah. Listen, do you guys have any popcorn?
JERRY: Popcorn?
KRAMER: Yeah, popcorn. You know, the crunchy stuff you eat at the movies.
JERRY: Yeah, we know what popcorn is. Why do you want popcorn?
KRAMER: Because I'm addicted to it!
ELAINE: What?
KRAMER: Yeah, yeah. Ever since I started working at that cinema, I can't stop eating popcorn. It's like crack to me!
JERRY: Well, why don't you just quit your job?
KRAMER: Quit my job? Are you kidding? That's the best part! Free popcorn!
ELAINE: Kramer, that's not healthy. You have to cut down on your popcorn intake.
KRAMER: No, no, no. I can't do that. I need it. I need it bad.
JERRY: Kramer, this is ridiculous. You have to stop this madness.
KRAMER: No, no, no. You don't understand. It's too late for me. I'm hooked. Hooked on popcorn!
(Kramer starts twitching and shaking)
ELAINE: Oh my god. He's having a popcorn withdrawal!
JERRY: Quick! Get him some water!
(George grabs a glass of water and hands it to Kramer)
KRAMER: (drinking the water) Ahh...that's better.
(Kramer calms down)
KRAMER: Thanks, George. You're a lifesaver.
GEORGE: Don't mention it.
KRAMER: By the way...you're a terrible driver.
(George looks stunned and hurt)
[END] ```
submitted by gonemad16 to ChatGPTWritesSeinfeld [link] [comments]
George Dates a driving instructor but can't decipher if they're dating or she's giving lessons. Kramer goes to the cinema just for the popcorn. Elaine dates a male feminist. Jerry stars in Who’s Line Is It Anyway and bombs the improv
I cut Jerry and Elaines story line since chatgpt would error out or get some content policy issue. The final scene failed as well and I hit the limit but it was a decent attempt
Scene 1:
``` [INT. COFFEE SHOP - DAY]
GEORGE: (sitting at a table with a newspaper) Ah, what a beautiful day. The sun is shining, the birds are singing, and I have nothing to do but enjoy this cup of coffee. (looks around) Maybe I'll even meet someone interesting today. You never know.
DENISE: (approaching his table) Excuse me, is this seat taken?
GEORGE: (looks up and sees a young woman with a driving school jacket) No, no, please, sit down.
DENISE: Thanks. (sits down and puts her jacket on the chair) I'm Denise, by the way.
GEORGE: George. Nice to meet you.
DENISE: Likewise. So, what do you do, George?
GEORGE: Well, I'm an architect.
DENISE: Really? That's impressive.
GEORGE: Thank you. Thank you very much. And you?
DENISE: I'm a driving instructor.
GEORGE: A driving instructor? Wow, that's... that's something.
DENISE: Yeah, it's not the most glamorous job, but it pays the bills.
GEORGE: I bet you have some stories to tell.
DENISE: Oh, you have no idea. Some of the people I have to teach are unbelievable. They don't know how to signal, they don't know how to park, they don't know how to merge...
GEORGE: They don't know how to merge? How can they not know how to merge?
DENISE: I know, right? It's like they've never driven before.
GEORGE: Well, maybe they haven't.
DENISE: Well, then they shouldn't be on the road.
GEORGE: Exactly. Exactly. You and I are on the same page, Denise.
DENISE: (laughs) I guess we are.
GEORGE: So, Denise... can I ask you something?
DENISE: Sure.
GEORGE: Would you like to go out with me?
DENISE: (smiles) Really? You want to go out with me?
GEORGE: Yes. Yes, I do.
DENISE: Well... okay. Sure. Why not?
GEORGE: Great. Great. How about tomorrow?
DENISE: Tomorrow sounds good.
GEORGE: Perfect. Perfect. Where should we meet?
DENISE: How about the driving school? It's on 5th and Main.
GEORGE: The driving school? Okay... sure... why not?
DENISE: Great. I'll see you there at 10.
GEORGE: 10? In the morning?
DENISE: Yeah. Is that a problem?
GEORGE: No... no... not at all... 10 is fine...
DENISE: Okay then. It's a date.
GEORGE: It's a date. (smiles nervously)
[END OF SCENE] ```
Scene 2:
``` [INT. MOVIE THEATER - DAY]
KRAMER: (sitting in the front row with a large bucket of popcorn) Mmm... this popcorn is amazing. (takes a handful and shoves it in his mouth) So buttery, so salty, so crunchy... (chews loudly)
JERRY: (sitting next to him) Kramer, can you keep it down? You're making too much noise.
KRAMER: What? I can't hear you. The movie's too loud.
JERRY: The movie's too loud? It's a silent film.
KRAMER: Well, then why are we here?
JERRY: Because you wanted to see it.
KRAMER: I did?
JERRY: Yes, you did. You said it was a classic.
KRAMER: I did?
JERRY: Yes, you did.
KRAMER: Well, I don't remember that.
JERRY: Well, you did.
KRAMER: Well, maybe I did. But I don't care about it now. All I care about is this popcorn. (takes another handful and shoves it in his mouth)
JERRY: Kramer, you've been eating popcorn non-stop for the past hour. Don't you think you've had enough?
KRAMER: Enough? Jerry, there's no such thing as enough when it comes to this popcorn. It's the best popcorn I ever had in my life. And I've had a lot of popcorn.
JERRY: Really? How much?
KRAMER: How much? Jerry, I've been going to the movies every day for the past two weeks just for the popcorn.
JERRY: Every day?
KRAMER: Every day.
JERRY: Even if you don't care about the film?
KRAMER: Even if I don't care about the film.
JERRY: Kramer, that's insane.
KRAMER: No, Jerry, that's genius. Think about it. For the price of one ticket, I get unlimited access to the best popcorn in the world. And I get to see a different movie every time. It's like a buffet of entertainment.
JERRY: But you don't even watch the movies.
KRAMER: So what? They're all the same anyway. Boy meets girl, boy loses girl, boy gets girl back. Blah blah blah. Who needs that when you have this? (holds up the bucket of popcorn)
JERRY: Kramer, you have a problem.
KRAMER: No, Jerry, I have a solution.
[END OF SCENE] ```
Scene 3:
``` [INT. DRIVING SCHOOL CAR - DAY]
GEORGE: (sitting in the driver's seat) So, here we are.
DENISE: (sitting in the passenger seat) Yes, here we are.
GEORGE: You look lovely today.
DENISE: Thank you.
GEORGE: So, where are we going?
DENISE: We're going to drive around the block and practice some basic skills.
GEORGE: Oh. Okay.
DENISE: Are you ready?
GEORGE: Ready as I'll ever be.
DENISE: All right, then. Start the engine.
GEORGE: (starts the engine) There we go.
DENISE: Good. Now, put your seat belt on.
GEORGE: (puts his seat belt on) Safety first.
DENISE: Right. Now, check your mirrors.
GEORGE: (checks his mirrors) Check.
DENISE: Good. Now, put your foot on the brake.
GEORGE: (puts his foot on the brake) Brake.
DENISE: Good. Now, put the car in drive.
GEORGE: (puts the car in drive) Drive.
DENISE: Good. Now, release the brake and gently press the gas pedal.
GEORGE: (releases the brake and gently presses the gas pedal) Gas.
DENISE: Good. Now, steer the car to the right and exit the parking lot.
GEORGE: (steers the car to the right and exits the parking lot) Right.
DENISE: Good. Now, keep your eyes on the road and follow the traffic signs and signals.
GEORGE: (keeps his eyes on the road and follows the traffic signs and signals) Road.
DENISE: Good. You're doing great.
GEORGE: (smiles) Thanks. You're a great teacher.
DENISE: Thank you.
(Silence)
GEORGE: So...
DENISE: So...
(Silence)
GEORGE: Can I ask you something?
DENISE: Sure.
GEORGE: Are we... are we on a date?
DENISE: What?
GEORGE: Are we on a date? I mean, you agreed to go out with me yesterday at the coffee shop, right?
DENISE: Well, yes, but...
GEORGE: But what?
DENISE: But this is not a date. This is a driving lesson.
GEORGE: A driving lesson?
DENISE: Yes, a driving lesson. I'm a driving instructor, remember?
GEORGE: Well, yes, but...
DENISE: But what?
GEORGE: But why did you tell me to meet you at the driving school? Why didn't you tell me to meet you somewhere else? Somewhere more... date-like?
DENISE: Because this is where I work. This is where I have my car. This is where I teach people how to drive.
GEORGE: But you don't have to teach me how to drive. I already know how to drive.
DENISE: Really? Then why did you sign up for a driving lesson?
GEORGE: Because I thought it was a date!
DENISE: Well, it's not!
(A car horn honks behind them)
DENISE: Watch out! You're blocking the intersection!
(GEORGE swerves and hits a fire hydrant)
[END OF SCENE] ```
Scene 4:
``` [INT. MOVIE THEATER - DAY]
KRAMER: (sitting in the back row with a large paper bag) Mmm... this popcorn is amazing. (takes a handful and shoves it in his mouth) So buttery, so salty, so crunchy... (chews loudly)
USHER: (approaching him) Excuse me, sir. Can I see your ticket?
KRAMER: (swallows) Sure, sure. Here you go. (hands him a ticket)
USHER: (looks at the ticket) Sir, this ticket is for yesterday.
KRAMER: Oh, really? Well, that's a mistake. I bought it today.
USHER: Sir, I don't think so. This ticket is clearly dated and stamped.
KRAMER: Well, maybe the machine was broken.
USHER: Sir, please don't lie to me. I know you're trying to sneak in.
KRAMER: Sneak in? Me? No, no, no. I would never do that.
USHER: Sir, I'm going to have to ask you to leave.
KRAMER: Leave? But I'm watching the movie.
USHER: Sir, you're not watching the movie. You're eating popcorn.
KRAMER: Well, what's wrong with that?
USHER: Sir, where did you get that popcorn?
KRAMER: (looks at the bag) This popcorn?
USHER: Yes, that popcorn.
KRAMER: Well... I brought it from home.
USHER: You brought it from home?
KRAMER: Yeah. Yeah, I did.
USHER: Sir, you can't bring your own popcorn to the theater. That's against the rules.
KRAMER: Rules? What rules?
USHER: The rules that say you have to buy your popcorn from the concession stand.
KRAMER: Oh, those rules.
USHER: Yes, those rules.
KRAMER: Well, I didn't know about those rules.
USHER: Sir, they're posted everywhere. No outside food or drink allowed.
KRAMER: Well, I didn't see them.
USHER: Sir, they're right there. (points to a sign)
KRAMER: Oh. Well, I didn't read them.
USHER: Sir, please stop making excuses. You know you're not supposed to bring your own popcorn.
KRAMER: Okay, okay. Fine. You got me. I brought my own popcorn. So what?
USHER: So what? So what? Sir, do you have any idea how much money we make from selling popcorn?
KRAMER: No.
USHER: A lot. A lot of money. Popcorn is our main source of income. It's how we pay our bills. It's how we keep this theater running.
KRAMER: Really?
USHER: Yes, really. And when you bring your own popcorn, you're taking away our profits. You're stealing from us.
KRAMER: Stealing? Come on. That's a bit harsh.
USHER: No, it's not. It's the truth. And you know what we do to thieves?
KRAMER: What?
USHER: We ban them from the theater.
KRAMER: Ban them?
USHER: Yes, ban them. As in never let them come back again.
KRAMER: Never?
USHER: Never.
KRAMER: But... but...
USHER: But nothing. You're banned, buddy. Banned for life.
KRAMER: Banned for life?
USHER: Banned for life.
(KRAMER gasps and drops the bag of popcorn)
[END OF SCENE] ```
Scene 5:
``` [INT. DRIVING SCHOOL OFFICE - DAY]
GEORGE: (sitting across from DENISE) Denise, I need to talk to you.
DENISE: What is it, George?
GEORGE: Look, I'm sorry about what happened yesterday. I didn't mean to cause an accident.
DENISE: It's okay, George. It wasn't your fault.
GEORGE: It wasn't?
DENISE: No, it was the fire hydrant's fault. It shouldn't have been there.
GEORGE: Oh. Well, that's good to know.
DENISE: Yeah.
(Silence)
GEORGE: So...
DENISE: So...
(Silence)
GEORGE: Denise, I have to ask you something.
DENISE: What is it, George?
GEORGE: Are we... are we dating?
DENISE: (sighs) George, we've been over this.
GEORGE: I know, I know. But I need a clear answer. Yes or no?
DENISE: No, George. We are not dating.
GEORGE: We're not?
DENISE: No, we're not.
GEORGE: But why not?
DENISE: Because this is not a relationship. This is a business transaction.
GEORGE: A business transaction?
DENISE: Yes, a business transaction. You pay me to teach you how to drive. That's it.
GEORGE: But what about the coffee shop? What about the conversation? What about the chemistry?
DENISE: What chemistry?
GEORGE: The chemistry! The spark! The connection!
DENISE: George, there was no spark. There was no connection. There was only coffee.
GEORGE: Only coffee?
DENISE: Only coffee.
GEORGE: But you smiled at me. You laughed at my jokes. You touched my arm.
DENISE: I was being polite. I was being friendly. I was being professional.
GEORGE: Professional?
DENISE: Yes, professional. George, I'm a driving instructor. That's my job. And part of my job is to make my students feel comfortable and confident behind the wheel.
GEORGE: Comfortable and confident?
DENISE: Yes, comfortable and confident.
GEORGE: Well, you failed miserably at that.
DENISE: Excuse me?
GEORGE: You heard me. You're a terrible driving instructor.
DENISE: I'm a terrible driving instructor?
GEORGE: Yes, you are.
DENISE: How dare you say that? I'm one of the best driving instructors in this city.
GEORGE: Oh, really? Then how come you couldn't teach me how to drive?
DENISE: Because you're a hopeless case, George. You're a terrible driver.
GEORGE: I'm a terrible driver?
DENISE: Yes, you are.
GEORGE: How dare you say that? I'm one of the best drivers in this city.
DENISE: Oh, really? Then how come you crashed into a fire hydrant?
GEORGE: Because it shouldn't have been there!
DENISE: That's no excuse, George. You have no sense of direction, no sense of speed, no sense of traffic rules. You don't know how to signal, you don't know how to park, you don't know how to merge...
GEORGE: Hey, hey, hey! Enough with the merging already!
DENISE: George, face it. You need more lessons.
GEORGE: More lessons?
DENISE: Yes, more lessons.
(GEORGE stands up and grabs his coat)
GEORGE: Forget it, Denise. Forget it. I don't need more lessons. I don't need you. I don't need anyone. I'm outta here.
(GEORGE storms out of the office)
[END OF SCENE] ```
Scene 6:
[INT. JERRY'S APARTMENT - DAY]
JERRY: (on the phone) Hello? Kramer? Is that you?
KRAMER: (on the other end) Yeah, Jerry. It's me.
JERRY: Kramer, where have you been? I haven't seen you in weeks.
KRAMER: I've been... busy.
JERRY: Busy? Doing what?
KRAMER: You know... stuff.
JERRY: Stuff? What kind of stuff?
KRAMER: Just... stuff.
JERRY: Kramer, are you okay? You sound depressed.
KRAMER: Depressed? Me? No, no, no. I'm fine.
JERRY: Are you sure?
KRAMER: Yeah, yeah, yeah. I'm sure.
JERRY: Well, then why don't you come over? We're having a poker night. George and Elaine are here.
KRAMER: Poker night? No, thanks. I'm not in the mood.
JERRY: Not in the mood? Since when are you not in the mood for poker?
KRAMER: Since... since now.
JERRY: Kramer, what's going on? What's wrong?
KRAMER: Nothing's wrong, Jerry. Nothing's wrong.
JERRY: Come on, Kramer. You can tell me. I'm your friend.
KRAMER: (sighs) All right, Jerry. All right. I'll tell you.
JERRY: Okay. Tell me.
KRAMER: I'm... I'm out of popcorn.
JERRY: Out of popcorn?
KRAMER: Yeah. Out of popcorn.
JERRY: And that's why you're depressed?
KRAMER: Well, yeah. Jerry, you don't understand. This is not just any popcorn. This is the best popcorn in the world. The cinema popcorn.
JERRY: The cinema popcorn?
KRAMER: Yeah. The cinema popcorn. The popcorn that makes life worth living. The popcorn that fills my soul with joy and happiness.
JERRY: Okay...
KRAMER: And I can't have it anymore, Jerry. I can't have it anymore.
JERRY: Why not?
KRAMER: Because they banned me from the theater, Jerry. They banned me for life.
JERRY: They banned you for life?
KRAMER: Yeah. They banned me for life.
JERRY: Why did they ban you for life?
KRAMER: Because I was taking popcorn from other people's seats, Jerry. I was taking popcorn from other people's seats.
JERRY: You were taking popcorn from other people's seats?
KRAMER: Yeah. I was taking popcorn from other people's seats.
JERRY: Kramer, that's stealing.
KRAMER: No, Jerry. That's surviving.
JERRY: Surviving?
KRAMER: Yeah. Surviving. Jerry, you don't know what it's like to be addicted to popcorn. To crave it every day. To need it every hour. To live for it every minute.
JERRY: No, I don't.
KRAMER: Well, I do, Jerry. I do. And when they cut me off from my supply, I had to find another way to get it. And the only way was to take it from others.
JERRY: Kramer, that's crazy.
KRAMER: No, Jerry. That's desperate.
JERRY: Desperate?
KRAMER: Yeah. Desperate. And it worked for a while, Jerry. It worked for a while. But then they caught me. They caught me red-handed with a handful of popcorn in my mouth and a bucket of popcorn in my lap.
JERRY: And then what happened?
KRAMER: And then they kicked me out of the theater, Jerry. They kicked me out and they told me never to come back again.
JERRY: Wow.
KRAMER: Yeah. Wow.
(Silence)
JERRY: Well... that's too bad.
KRAMER: Yeah. Too bad.
(Silence)
JERRY: So... what are you going to do now?
KRAMER: I don't know, Jerry. I don't know. I've tried everything else. Microwave popcorn, stovetop popcorn, air-popped popcorn... but none of them compare to the cinema popcorn. None of them have that magic touch.
JERRY: Well... maybe you should try something else.
KRAMER: Like what?
JERRY: Like... chips?
KRAMER: Chips? Chips?! Jerry, are you kidding me? Chips are nothing compared to popcorn! Chips are dry
[END OF SCENE] ```
Scene 7: Attempted ending with ChatGPT having no context
``` [INT. JERRY'S APARTMENT]
GEORGE: (angrily) I can't believe it! She dumped me because I'm a bad driver!
JERRY: Who dumped you?
GEORGE: Denise! The driving instructor!
JERRY: The driving instructor dumped you because you're a bad driver?
GEORGE: Yes! She said I have no sense of direction, I don't signal properly, and I brake too hard!
JERRY: Well, maybe she has a point.
GEORGE: What do you mean?
JERRY: Come on, George. You're not exactly Mario Andretti behind the wheel.
GEORGE: Oh, and you are?
JERRY: Well, I'm better than you.
GEORGE: Oh, please. You're a nervous wreck. You always grip the steering wheel like it's a life preserver.
JERRY: That's because it is. Have you seen the way people drive in this city?
ELAINE: (entering) Hey, guys.
GEORGE: Elaine, you're a witness. Who's a better driver? Me or Jerry?
ELAINE: Oh, boy. That's a tough one.
GEORGE: Come on, Elaine. Be honest.
ELAINE: Well...Jerry.
GEORGE: Jerry?!
ELAINE: Yeah, sorry, George. Jerry's a better driver.
GEORGE: How can you say that?
ELAINE: Well, for one thing, he doesn't yell at every pedestrian and cyclist on the road.
GEORGE: They're in my way!
ELAINE: And he doesn't honk his horn every five seconds.
GEORGE: It's a form of communication!
ELAINE: And he doesn't park on the sidewalk.
GEORGE: There's no space on the street!
JERRY: George, face it. You're a bad driver.
GEORGE: I'm not a bad driver! I'm a good driver!
KRAMER: (entering) Hey, hey, hey! What's going on here?
ELAINE: Oh, hi, Kramer.
KRAMER: What are you guys talking about?
JERRY: George got dumped by his driving instructor because he's a bad driver.
KRAMER: Oh, that's too bad.
GEORGE: Thank you, Kramer. Finally, someone who sympathizes with me.
KRAMER: Yeah, yeah. Listen, do you guys have any popcorn?
JERRY: Popcorn?
KRAMER: Yeah, popcorn. You know, the crunchy stuff you eat at the movies.
JERRY: Yeah, we know what popcorn is. Why do you want popcorn?
KRAMER: Because I'm addicted to it!
ELAINE: What?
KRAMER: Yeah, yeah. Ever since I started working at that cinema, I can't stop eating popcorn. It's like crack to me!
JERRY: Well, why don't you just quit your job?
KRAMER: Quit my job? Are you kidding? That's the best part! Free popcorn!
ELAINE: Kramer, that's not healthy. You have to cut down on your popcorn intake.
KRAMER: No, no, no. I can't do that. I need it. I need it bad.
JERRY: Kramer, this is ridiculous. You have to stop this madness.
KRAMER: No, no, no. You don't understand. It's too late for me. I'm hooked. Hooked on popcorn!
(Kramer starts twitching and shaking)
ELAINE: Oh my god. He's having a popcorn withdrawal!
JERRY: Quick! Get him some water!
(George grabs a glass of water and hands it to Kramer)
KRAMER: (drinking the water) Ahh...that's better.
(Kramer calms down)
KRAMER: Thanks, George. You're a lifesaver.
GEORGE: Don't mention it.
KRAMER: By the way...you're a terrible driver.
(George looks stunned and hurt)
[END] ```
2023.03.25 02:51 thegrumpyorc NBD (chrome edition)!
 | I did not NEED this bike (1977 Schwinn Super LeTour 12.2)--I have a Lynskey Sportive Disc that does all the roadie things I need to do (objectively better)--but my wife let me buy something fairly affordable for our local Taco Tuesday group fun rides, And IT'S MFing CHROME! ALL OVER! submitted by thegrumpyorc to bicycling [link] [comments] SHINY! https://preview.redd.it/23ttu4apjspa1.jpg?width=1152&format=pjpg&auto=webp&s=37a6fe8995cacd3a2d911d2795c307a498b94dcd https://preview.redd.it/tggmd5apjspa1.jpg?width=1152&format=pjpg&auto=webp&s=922faeaebf011d8fcc4732eebbfcae4bedffe767 https://preview.redd.it/i7wky6apjspa1.jpg?width=1152&format=pjpg&auto=webp&s=029750177538b8f06da8eb1a8b96f95f4e8c129d |
2023.03.25 02:51 whitetail91 Music league
I made a music league for park rangers. It has space for 50 participants. It requires the music league app and Spotify (either premium or free). I thought I would open up the possibility for people from this subreddit to join. Any interest?
submitted by whitetail91 to ParkRangers [link] [comments]
2023.03.25 02:50 newbility Anyone else getting Park Assist Unavailable error?
After pulling today’s update, I keep getting the Park Assist Unavailable error after trying to park in my garage, side streets, and a store parking lot. I even tried cleaning all the cameras. Anyone else getting this error? Or dealt with it?
submitted by newbility to TeslaModelY [link] [comments]
2023.03.25 02:50 esjwujolx Watch this fatty slut rides a sybian and then gets banged outdoors
 | submitted by esjwujolx to R4561a [link] [comments] |
2023.03.25 02:50 yui11a Slutty teens getting facial and riding cock at party
 | submitted by yui11a to Electrbc [link] [comments] |
2023.03.25 02:50 Scare12f Watch this fatty slut rides a sybian and then gets banged outdoors
| | submitted by Scare12f to R4561a [link] [comments] |
2023.03.25 02:49 getshwiftymorty Do you initiate kegels during intercourse to prevent cumming or is it just an exercise to strengthen you BC muscle or both?
I am a male and I am struggling with PE. It is very frustrating and humiliating to me. I started practicing kegels everyday now but I am wondering if you are supposed to initiate kegela whilst you are having sex as well to prevent you from cumming? Someone made a comment on the PE subreddit that explained it very well but I have a question that was left unanswered.
When he says "You must learn how to use the brake pedal on your BC muscle and the gas pedal on your penis in order to do the harmonic tango with the gas pedal from your mind" does he mean that you have to initiate kegel then thrust, initiate kegel then thrust and so on? I need specifics on what he means and how often to initiate kegels during sex, how long do you hold? etc...
This is the comment in question here:
"I always say, controlling your ability to cum is like riding a bike. Once you learn, you will always know, forever and ever and ever and ever and ever times infinity.
Your bulbocavernosus (BC) muscle. The most important muscle you need to get familiar with. If your penis is a car, the BC muscle is the wheel or wheels connecting it to the road we call sex. Your libido is the engine. There's two gas pedals, one brake pedal.
The first gas pedal, is your mind. You think sexy thoughts, your mind steps on the gas. Second gas pedal is on your penis. You stroke or thrust into a vagina, the gas pedal is pressed. The brake pedal is your BC muscle. You do a kegel, you're stepping on the brake.
Imagine there's two pipes inside your penis. They are connected together. The end of one pipe is connected to your semen tank, and the end of the second pipe is at the tip of your penis. When the combined energy of the two gas pedals has reached a certain point, semen starts to enter the first pipe. This is your orgasm. When the semen enters the second pipe, that is your ejaculation. Whatever amount of semen has entered the second pipe, no matter how big or small, must come out of your penis. It cannot go back into the first pipe. Likewise, whatever semen is in the first pipe, can always safely go back to the semen tank.
The two keywords here are balance and precision. You must learn how to use the brake pedal on your BC muscle and the gas pedal on your penis in order to do the harmonic tango with the gas pedal from your mind. You are dancing with lady pleasure, and she is a very good dancer. When she moves, you move. When you move, she moves. Together in harmony. Keep up the pace, maintain balance, and be precise.
The more you use your BC muscle, the stronger it will become. Until one day, it will be so strong, that you'll barely even have to touch the brake pedal, if at all. The goal is to be able to freeze the semen in its place no matter where it is inside the first pipe. Whether it's at the bottom (tiny orgasm) or at the top (huge orgasm). When you have reached this level of strength, combined with your knowledge of balance and precision, you will have complete control and mastery of not only your orgasms (first pipe), but of your ejaculations (second pipe) as well. You will be able to dance with lady pleasure all day and all night long."
submitted by getshwiftymorty to kegel [link] [comments]
When he says "You must learn how to use the brake pedal on your BC muscle and the gas pedal on your penis in order to do the harmonic tango with the gas pedal from your mind" does he mean that you have to initiate kegel then thrust, initiate kegel then thrust and so on? I need specifics on what he means and how often to initiate kegels during sex, how long do you hold? etc...
This is the comment in question here:
"I always say, controlling your ability to cum is like riding a bike. Once you learn, you will always know, forever and ever and ever and ever and ever times infinity.
Your bulbocavernosus (BC) muscle. The most important muscle you need to get familiar with. If your penis is a car, the BC muscle is the wheel or wheels connecting it to the road we call sex. Your libido is the engine. There's two gas pedals, one brake pedal.
The first gas pedal, is your mind. You think sexy thoughts, your mind steps on the gas. Second gas pedal is on your penis. You stroke or thrust into a vagina, the gas pedal is pressed. The brake pedal is your BC muscle. You do a kegel, you're stepping on the brake.
Imagine there's two pipes inside your penis. They are connected together. The end of one pipe is connected to your semen tank, and the end of the second pipe is at the tip of your penis. When the combined energy of the two gas pedals has reached a certain point, semen starts to enter the first pipe. This is your orgasm. When the semen enters the second pipe, that is your ejaculation. Whatever amount of semen has entered the second pipe, no matter how big or small, must come out of your penis. It cannot go back into the first pipe. Likewise, whatever semen is in the first pipe, can always safely go back to the semen tank.
The two keywords here are balance and precision. You must learn how to use the brake pedal on your BC muscle and the gas pedal on your penis in order to do the harmonic tango with the gas pedal from your mind. You are dancing with lady pleasure, and she is a very good dancer. When she moves, you move. When you move, she moves. Together in harmony. Keep up the pace, maintain balance, and be precise.
The more you use your BC muscle, the stronger it will become. Until one day, it will be so strong, that you'll barely even have to touch the brake pedal, if at all. The goal is to be able to freeze the semen in its place no matter where it is inside the first pipe. Whether it's at the bottom (tiny orgasm) or at the top (huge orgasm). When you have reached this level of strength, combined with your knowledge of balance and precision, you will have complete control and mastery of not only your orgasms (first pipe), but of your ejaculations (second pipe) as well. You will be able to dance with lady pleasure all day and all night long."
2023.03.25 02:47 0sub0r (Mia Rider Jay) - Tug And Ride - Reality Kings
 | submitted by 0sub0r to R4561a [link] [comments] |
2023.03.25 02:47 getshwiftymorty Do you use kegels during intercourse to prevent cumming or just to strengthen BC muscle, or both?
I am a male and I am struggling with PE. It is very frustrating and humiliating to me. I started practicing kegels everyday now but I am wondering if you are supposed to initiate kegela whilst you are having sex as well to prevent you from cumming? Someone made a comment on the PE subreddit that explained it very well but I have a question that was left unanswered. When he says "You must learn how to use the brake pedal on your BC muscle and the gas pedal on your penis in order to do the harmonic tango with the gas pedal from your mind" does he mean that you have to initiate kegel then thrust, initiate kegel then thrust and so on? I need specifics on what he means and how often to initiate kegels during sex, how long do you hold? etc...
This is the comment in question here:
"I always say, controlling your ability to cum is like riding a bike. Once you learn, you will always know, forever and ever and ever and ever and ever times infinity.
Your bulbocavernosus (BC) muscle. The most important muscle you need to get familiar with. If your penis is a car, the BC muscle is the wheel or wheels connecting it to the road we call sex. Your libido is the engine. There's two gas pedals, one brake pedal.
The first gas pedal, is your mind. You think sexy thoughts, your mind steps on the gas. Second gas pedal is on your penis. You stroke or thrust into a vagina, the gas pedal is pressed. The brake pedal is your BC muscle. You do a kegel, you're stepping on the brake.
Imagine there's two pipes inside your penis. They are connected together. The end of one pipe is connected to your semen tank, and the end of the second pipe is at the tip of your penis. When the combined energy of the two gas pedals has reached a certain point, semen starts to enter the first pipe. This is your orgasm. When the semen enters the second pipe, that is your ejaculation. Whatever amount of semen has entered the second pipe, no matter how big or small, must come out of your penis. It cannot go back into the first pipe. Likewise, whatever semen is in the first pipe, can always safely go back to the semen tank.
The two keywords here are balance and precision. You must learn how to use the brake pedal on your BC muscle and the gas pedal on your penis in order to do the harmonic tango with the gas pedal from your mind. You are dancing with lady pleasure, and she is a very good dancer. When she moves, you move. When you move, she moves. Together in harmony. Keep up the pace, maintain balance, and be precise.
The more you use your BC muscle, the stronger it will become. Until one day, it will be so strong, that you'll barely even have to touch the brake pedal, if at all. The goal is to be able to freeze the semen in its place no matter where it is inside the first pipe. Whether it's at the bottom (tiny orgasm) or at the top (huge orgasm). When you have reached this level of strength, combined with your knowledge of balance and precision, you will have complete control and mastery of not only your orgasms (first pipe), but of your ejaculations (second pipe) as well. You will be able to dance with lady pleasure all day and all night long."
submitted by getshwiftymorty to PelvicFloor [link] [comments]
This is the comment in question here:
"I always say, controlling your ability to cum is like riding a bike. Once you learn, you will always know, forever and ever and ever and ever and ever times infinity.
Your bulbocavernosus (BC) muscle. The most important muscle you need to get familiar with. If your penis is a car, the BC muscle is the wheel or wheels connecting it to the road we call sex. Your libido is the engine. There's two gas pedals, one brake pedal.
The first gas pedal, is your mind. You think sexy thoughts, your mind steps on the gas. Second gas pedal is on your penis. You stroke or thrust into a vagina, the gas pedal is pressed. The brake pedal is your BC muscle. You do a kegel, you're stepping on the brake.
Imagine there's two pipes inside your penis. They are connected together. The end of one pipe is connected to your semen tank, and the end of the second pipe is at the tip of your penis. When the combined energy of the two gas pedals has reached a certain point, semen starts to enter the first pipe. This is your orgasm. When the semen enters the second pipe, that is your ejaculation. Whatever amount of semen has entered the second pipe, no matter how big or small, must come out of your penis. It cannot go back into the first pipe. Likewise, whatever semen is in the first pipe, can always safely go back to the semen tank.
The two keywords here are balance and precision. You must learn how to use the brake pedal on your BC muscle and the gas pedal on your penis in order to do the harmonic tango with the gas pedal from your mind. You are dancing with lady pleasure, and she is a very good dancer. When she moves, you move. When you move, she moves. Together in harmony. Keep up the pace, maintain balance, and be precise.
The more you use your BC muscle, the stronger it will become. Until one day, it will be so strong, that you'll barely even have to touch the brake pedal, if at all. The goal is to be able to freeze the semen in its place no matter where it is inside the first pipe. Whether it's at the bottom (tiny orgasm) or at the top (huge orgasm). When you have reached this level of strength, combined with your knowledge of balance and precision, you will have complete control and mastery of not only your orgasms (first pipe), but of your ejaculations (second pipe) as well. You will be able to dance with lady pleasure all day and all night long."
2023.03.25 02:47 audreycaristo Got open PF release surgery today.
I finally gave up and decided to get the surgery on my PF. It's been 3 years of different treatments, shots, stretches, and shoes, and saw no long term relief. Surgery went well. My doc is confident that it will improve. I'm in a hard cast with no weight on the foot for 2 weeks. Hopefully recovery goes well. Surgery was quick like 30 mins. Post surgery hasn't been bad at all, the pain is pretty minimal. The cast is the worst part so far, it's bulky and annoying. My kids like drawing on it so there's the upside, lol.
Got me a knee scooter and I'll be riding in style soon! :) I'll add some updates on recovery as they come.
submitted by audreycaristo to PlantarFasciitis [link] [comments]
Got me a knee scooter and I'll be riding in style soon! :) I'll add some updates on recovery as they come.
2023.03.25 02:47 FitInvestigator5945 IN YOUR ECONOMIC DREAMS
7:14PM EST SET UP TIME
- 8:06PM EST START TIME
- 8:27PM EST END TIME
THURSDAY APRIL 22ND, 2020
4.2.2020
"HONEY MONEY PROBLEMS"
V.B. STALLONE
VANESSA BUNNI STALLONE
DEAR HONEY: THE INTRODUCTION; VOLUME THREE
5:55AM EST - 6:32AM EST
FRIDAY APRIL 3RD, 2020
4.3.2020
CHAPTER ONE: THE CHAD FILM.
11:25PM EST - 11:57PM EST
MONDAY APRIL 6TH, 2020
4.6.2020
CHAPTER TWO: WHEN CHAD BEGAN FILMING
8:07AM EST - 8:45AM EST
4.7.2020
TUESDAY APRIL 7TH, 2020
CONTINUED
12:45PM EST - 1:24PM EST
TUESDAY APRIL 7TH, 2020
4.7.2020
CHAPTER THREE: THE DAVID CRICHTON EXPERIENCE
11:31PM EST -
12:43AM EST - 1:02AM EST
TUESDAY APRIL 7TH, 2020
4.7.2020
WEDNESDAY APRIL 8TH, 2020
4.8.2020
CHAPTER FOUR: VANESSA HONEY MALONE, NAIJAH GROVER SR. AND J.D. ROCKMAN
8:05AM EST -
CHAPTER FIVE: THANK YOU AND COME AGAIN MY FRIEND
1:11AM EST - 1:46AM EST
FRIDAY APRIL 17TH, 2020
4.17.2020
FRIDAY APRIL 17TH, 2020
4.17.2020
11:00AM EST - 11:11AM
CHAPTER SIX: TALKED TO ROCK'S MOM
submitted by FitInvestigator5945 to DXYRSISPOT [link] [comments]
- 8:06PM EST START TIME
- 8:27PM EST END TIME
THURSDAY APRIL 22ND, 2020
4.2.2020
"HONEY MONEY PROBLEMS"
V.B. STALLONE
VANESSA BUNNI STALLONE
DEAR HONEY: THE INTRODUCTION; VOLUME THREE
DEAR HONEY DEAR HONEY, THIS IS VOLUME THREE. IN ITS ENTIRETY. I ADMIRINGLY, WHILE ADMIRING, THE PERSON YOU WERE, BECOME THE PERSON I AM. WE WILL FOREVER BE FRIENDS. AFTER THE END. WE WILL FOREVER BE BEAUTIFUL. APART. FROM THE START OR TOGETHER. I REALIZED MY EMOTIONS WERE SEVERED, FOR ME TO BE THE PROGRESSOR. OF BETTER TIMES FOR THE HUMAN RACE. NOT THE AGGRESSOR. IN VIOLENCE. THE AGGRESSOR IN SILENCE. STAYING SILENT, THINKING TO MYSELF. I MISS YOU HONEY. I MISS THE FUNNY MOMENTS WE SHARED. YOU KNEW I CARED. NOW YOU KNOW I CARED. THIS BOOK IS FOR YOU. WRITTEN UNDER YOUR PEN NAME. WE CREATED IN YOUR MEMORY. WE APPRECIATE YOU SO MUCH. IF THERE'S NO RUSH, THERE IS NO TIME TO SPARE. I HUSH, TO TAKE ME THERE. I WANT TO TAKE YOU INTO LITERARY AND CINEMATIC HISTORY HONEY. NO MYSTERY HONEY. I AM WRITING POEMS IN PROSE. FROM POEMS TO PROSE WE ROSE. FROM PROSE TO POEMS WITH COZE WE COAST. FINANCIAL LITERACY. IS THE MOST IMPORTANT THING TO STUDY. THE ONE THING WE NEVER FOUND OUT. WE WERE CLOSE. WE WERE PUSRUING IT. IN A DOSE. IN DOSES. WE REALLY DOZED THOUGH. WE REALLY DIDN'T KNOW THOUGH. CERTAIN TERMS. WE WERE LEARNING IT. EARNING IT. I MUST GIVE US CREDIT. WE WERE RIGHT THERE. WE JUST DIDN'T LET IT. OVER TAKE US IMMEDIATELY. TO WHERE WE IMMEDIATELY. WERE LITERALLY. RESEARCHING. FINANCIAL LITERACY. SO NOW. AFTER DOING SO SOLO. I THINK OF YOU AND REMEMBER YOLO. SO I WROTE THIS FOR US DOLO. HONEY YOU AND I. STARTED ANOTHER GLOBAL ECONOMIC REVOLUTION. YOU WANTED TO BE AN ACTRESS. ONE DAY. ACTORS. ACTRESSES. WILL ACT THIS. THEY WILL TURN THESE WORDS INTO MOVIES HONEY. GROOVY. I ONLY FILMED FOR FILMING SOOTHED ME. SOOTHING. IN THE MOST. SOOTHINGLY MANNER. NERDS INTO NEW TEES. I STAY SO BUSY HONEY. I GET CONFUSED. WONDERING DID I WORK ENOUGH? SO I GIVE ALL OF MY SPARE TIME TO IT. SO THE ANSWER WILL ALWAYS BE NO. SO ALL OF THE SPARE TIME WILL BE DEDICATED TO IT. TIME TO EAT FOR A BIT. RESEARCH SOMETHING. THEN COME BACK AND FINISH WRITING THIS NEW VOLUME. THE CHAD FILMS STORY. THE SYRACUSE FILM FESTIVAL IS IN OCTOBER. THE THIRD WEEK. LIFE IS STILL WEIRD HONEY. AS MUCH AS I CAN ACCOMPLISH. YOUR NAME WILL BE RIGHT THERE WITH ME. ANYTHING BENEFICIAL TO THE HUMAN RACE. I WILL ATTACH YOUR NAMES. NAIJAH GROVER, VANESSA HONEY MALONE, JOSH D. HUTCHINSON.
5:55AM EST - 6:32AM EST
FRIDAY APRIL 3RD, 2020
4.3.2020
CHAPTER ONE: THE CHAD FILM.
DEAR SYRACUSE, NEW YORK, MY NAME IS CHAD XZAVIER HARRIS. I AM THIRTY YEARS OLD. I WAS BORN IN MIAMI, FLORIDA ON DECEMBER 29TH 1989. I AM THE YOUNGEST OF THREE BOYS. MY FATHER HAD A SON BEFORE HE HAD ONE WITH MY MOTHER. DAVID HARRIS AND SUZANNE HARRIS. MY PARENTS. DAVID HARRIS JR. QUENTIN HARRIS SR. JUSTIN HARRIS. MY BROTHERS. I HAVE NO SISTERS. SHAKEVIA KANAIJAH, DANTE DONOVAN, SHYANNE, QUENTIN JR., MALIAH SONAE, QUAN, ATIYANNA. MY NIECES AND NEPHEWS. I'VE SEEN ATIYANNA ONCE. SHE WAS ALMOST TWO. HAVING A TWO YEAR OLD NIECE WHO I'VE SEEN ONCE SHOWS ME NOW, I AM THE MAVERICK OF THE FAMILY. I RESERVED MYSELF FOR MY FIRST ADULT DECADE. I BEAT AT MY CRAFT. I WORKED AN HONEST JOB TO SUPPORT MYSELF. I USED ALL OF MY SPARE TIME, HONING THE SKILLSET. MY PARENTS DIVORCED. I WAS SEVEN. JUSTIN IS FOUR YEARS OLDER. QUE IS THREE YEARS OLDER THAN JUSTIN. DAVID IS AROUND THREE YEARS OLDER THAN QUE. MY MATERNAL GRANDMOTHER. THELMA LEE WASHINGTON. PASSED AWAY WHEN I WAS SEVEN. JOSIE REE HARRIS. THE PATERNAL GRANDMOTHER. PASSED AWAY WHEN I WAS EIGHT. I'VE ALWAYS HAD AN AFFINITY AND AFFECTION TOWARDS AND FOR OTHER PEOPLE'S GRANDMOTHERS. I ALWAYS WONDERED IF THOSE WITH GRANDMOTHERS, APPRECIATED IT. FOR THE MOST PART, ANYONE OLDER DOES FROM WHAT I CAN SEE. I MOSTLY JUST WONDER WHEN IT COMES TO YOUNGER PEOPLE. CLOSER TO THE AGE I WAS. ALL OF THAT AT ONCE MADE ME FEEL VERY VULNERABLE. I BELIEVE MY MOTHER WAS THE FIRST DIVORCE OF HER SIBLINGS. THAT TIME BELONGED TO US. IT WAS THEN WHEN THE FEELINGS OF NEGLECT, ABANDONMENT AND NOT FEELING APPRECIATED AND WANTED GREW AND GREW. THEY NEVER STOPPED GROWING. THE FAMILY HISTORY JUST PROVIDED MORE AND MORE INCIDENTS OF THE HARMFUL VARIETY. OF A HARMFUL NATURE. IT SHOULD HAVE NEVER BEEN THOUGHT, I WOULD STICK AROUND SOMEWHERE I WASN'T WANTED. AS I BEGAN TO STUDY BIOGRAPHY AND THE HISTORY OF AMERICAN POLITICS, POP CULTURE, SPORTS, ART AND MEDIA, ALONG WITH ANYTHING ELSE I WAS RESEARCHING, I BEGAN TO REALIZE WHAT I HAD TO STUDY. A BROAD SCOPE OF INFORMATION. I ALWAYS FELT THERE WAS A DEEP UNIVERSAL CALLING FOR GREATNESS FROM ME I MUST ADHERE TO AND FIND. AND SO I LEFT TO FIND IT. I DO NOTHING BUT INTROSPECT MYSELF. I STAY TO MYSELF, BC I AM MORE LIKELY TO KEEP MYSELF OUT OF TROUBLE, BY MYSELF. I AM LESS LIKELY TO LOSE FOCUS ALONE. I AM PRETTY WELL TRAINED AT KEEPING MYSELF WORKING ON MY SOLO PROJECTS. AT BEST, IT KEEPS ME OUT OF TROUBLE. I AM THIRTY, NO BABIES AND NO FELONIES. CLEARLY, I DON'T FAVOR DRAMA OR VIOLENCE AND FIGHTING AND ANY FORM OF UNCONSCIOUSNESS.
11:25PM EST - 11:57PM EST
MONDAY APRIL 6TH, 2020
4.6.2020
CHAPTER TWO: WHEN CHAD BEGAN FILMING
MY FATHER AND I WATCHED FILMS TOGETHER. IT WAS MY MAIN MEMORY WITH DAD. "CON AIR". "CHILD'S PLAY". "JAWS 3". "THE FOX AND THE HOUND". "AUSTIN POWERS". "NOTHING TO LOSE". "BLUE STREAK". "SCREAM". "FACE OFF". "CONGO". "JURASSIC PARK". "DOUBLE JEAPORDY." "MEN IN BLACK". WHEN THE PARENTS DIVORCED, IT SUCKED. SUCKED SO MUCH, I MADE MY FIRST FILM AT 12 YEARS OLD. THE DIRECTORIAL DEBUT. I DEALT WITH THE DIVORCE IN NO SPECIFIC MANNER FOR 5 YEARS BEFORE I FILMED SOMETHING. AS SOON AS I WAS GIVEN THE CAMERA, I FILMED WITH IT. THE LAST DAY OF 5TH GRADE. GOT IT ON CAMERA. JOE AND CHRIS AGUILA. WENT TO THEIR HOUSE. CHRIS IS JOE'S LITTLE BROTHER. 3RD GRADE. THERE WAS A HORNET OR YELLOW JACKET OR WASP, AT THEIR POOL. WE RAN BACK INSIDE. I CAN STILL REMEMBER. VIVIDLY. SHOUT OUTS TO MS. SARAH. R.I.P. JOES DAD. A CAMERAMAN FOR THE NEWS. THE FIRST FRIEND I MET IN SCHOOL. HIS DAD WAS A NEWS CAMERA MAN. I'M BLESSED TO HAVE FOUND OUT HOW TO DEAL WITH THE UN PLEASANT CIRCUMSTANCE PRESENTED. EARLY ON. I WAS WRITING. I THANK GOD I WAS MEANT TO TRAVERSE THESE PATHS. I TOTALLY AM AT HIS WHIM. I AM AT GOD'S MERCY. UNDER GOD'S WILL. I HAVE GIVEN UP MY ENTIRE LIFE TO SERVING THIS PURPOSE. I HAVE NOTHING. NOTHING BUT ONE OBJECTIVE. ATTAIN THE DESTINY. THERE WAS A REASON I WAS SENT HERE. DO IT. NOTHING ELSE MATTERS. DO IT. GET IT DONE. TIME IS OF THE ESSENCE. WASTE NOT WANT NOT. WASTE NO TIME. WANT NO TIME. ALL TIME IS DEVOURED. ALL OF OUR TIME IS DEVOURVED WITH CREATIVE EXPRESSION PRODUCED. THE CREATIVE. THE FINANCIALLY LITERATE CREATIVE. I SERVED MY PURPOSE. WHAT I WANT TO BE REMEMBERED FOR. I HAVE TO DO GREAT THINGS. IN ORDER TO BE ADEQUATELY REMEMBERED. I ONLY WANTED TO WRITE A CLASSIC NOVEL. 5 YEARS LATER. THERE'S NO PROOF I HAVE NOT WROTE MANY CLASSICS BY NOW. THE YEARLY COLLECTIONS I PUBLISH NOW ARE 500 PAGES. THREE OF THOSE NOW. WORKING ON FOUR. THIS YEAR WOULD BE THE FIRST COLLECTION, NOT FROM DAVID CRICHTON THE PEN NAME.
8:07AM EST - 8:45AM EST
4.7.2020
TUESDAY APRIL 7TH, 2020
CONTINUED
BETWEEN THE AGES OF 12 AND 21, I WAS ONLY WRITING POETRY. BETWEEN 18-21 I HAD PUBLISHED MY FIRST POETRY AND NON VERSE COLLECTIONS. I SENT A FILM TREATMENT TO DWAYNE CARTER'S PRSION CELL IN 2010. BEFORE MY 19TH BIRTHDAY, I HAD THE FIRST COLLECTION PUBLISHED. FROM THERE, IT TOOK HALF A DECADE TO BECOME DAVID CRICHTON. MENTALLY. DAVID CRICHTON IS THE FORMULA FOR HOW I NOW APPROACH WRITING PROJECTS. IT'S JUST A LIST OF GUIDELINES. I'LL GO THRU THEM IN A LATER CHAPTER. INBETWEEN THE FIRST COLLECTION PUBLISHED AT 19 AND THE DAVID CRICHTON EXPERIENCE, IS CHADXZAVIERFILMS. FIVE YEARS OF CHADFILMS GREW INTO DAVID CRICHTON PUBLICATIONS. BEING DAVID CRICHTON FOR FIVE YEARS, I WANTED TO RETIRE THE NAME. IN HALF A DECADE I HAVE THREE FULL COLLECTIONS. MY OWN THREE "HARRY POTTER BOOKS". THAT'S A GOOD FIRST HALF A DECADE. NOW LET'S RAMP IT UP. ONE COLLECTION EVERY YEAR. I HAVEN'T BEEN EDITING FOOTAGE INTO VIDEOS AND PUBLISHING THEM ON YOUTUBE SINCE 2017. WHEN I HAD GOTTEN THE TAX RETURN AND BOUGHT EQUIPMENT. BEFORE THAT I WASN'T FILMING SINCE THE DAVID CRICHTON EXPERIENCE HAPPENED. AROUND THANKSGIVING 2015, I GAVE UP A DSLR I HAD. I HAVE FOOTAGE OF EVERY YEAR BUT THE CAMERAS VARIED. FROM 2011 - 2013 WERE MY PRIME YOUTUBE YEARS. WHICH IS ONE DECADE AGO. NOW IS MY RE EMERGENCE. WITH EVERYTHING I'VE CREATED SO FAR. WHICH IS STUPENDOUSLY LOADED. 10,000 MEDIA FILES. SO NOW, GOD WILLING, I AM WORKING ON THE FILM FESTIVAL ENTRY. THIS IS THE NARRATION. THIS IS ALSO VOLUME THREE. VOLUME THREE OF "HONEY MONEY PROBLEMS". VANESSA BUNNI STALLONE IS THE PEN NAME. THE NEXT PEN NAME IS NAIJAH CLOVER. JOSH D. ROCKMAN IS THE NEXT PEN NAME AFTER NAIJAH CLOVER. DAVID X. CRICHTON, STALLONE, CLOVER AND ROCKMAN. THE PEN NAMES. THE FIRST PEN NAME RAN FOR FIVE YEARS. THE LAST TWO YEARS INTRODUCED STALLONE. STALLONE HAS ONE VOLUME PUBLISHED AND ONE READY. THIS IS VOLUME THREE FOR STALLONE. AFTER THIS, VOLUME ONE FOR CLOVER WILL COMMENCE.
12:45PM EST - 1:24PM EST
TUESDAY APRIL 7TH, 2020
4.7.2020
CHAPTER THREE: THE DAVID CRICHTON EXPERIENCE
2001. 2000. 2002. MADE MY FIRST FILMS DURING THOSE YEARS. USED A CAMCORDER FOR THE FIRST TIME. 2011. THE YEAR I LAUNCHED MY FIRST TWO YOUTUBE CHANNELS. KEVITV. SEEXZAVIERFILMS. CHIZZI KENNEDY. 2015. THE YEAR I RECORDED MY FIRST DIARIES. VIDEO FORMAT. 24 HOUR LONG VIDEO DIARY. FILMED DURING MAY 2015. DURING THE PHONE GIRL SITUATION. THE PHONE GIRL EXPERIENCE. THE DAVID CRICHTON EXPERIENCE HAPPENED THE FOLLOWING MONTH. JUNE 2015. THE MONTH I WROTE "THE PHONE GIRL". JULY 2015. "CFK" WAS WRITTEN. BY DECEMBER 2015, "CFK" AND "THE PHONE GIRL" WERE FINISHED. MY FIRST TRILOGY. "TPG". "CFK" MY FIRST DOUBLE TRILOGY. IN NOVEMBER 2015, I AUDIO RECORDED THE FIRST TWO FRANCHISES. I BEGAN "CLEVERLAND AND CLEVERFIELD" IN JANUARY 2016. THOSE THREE NOVELS WERE VERSE NOVELS. BY NOVEMBER 2016, "THE PRINCE WHO KNEW TOO MUCH" AND "THE PRINCE'S PHILO" WERE WRITTEN. "THE PRINCE WHO KNEW TOO MUCH" FRANCHISE, WAS NOT OF VERSE NOVELS. "THE PRINCE WHO KNEW TOO MUCH" WAS THE FIRST PROSE NOVEL WRITTEN UNDER THE DAVID CRICHTON PEN NAME. "MEGAN AND THE LAW OF ATTRACTION". THE FIRST AUDIO IMPROMPTU VERSE NOVEL RECORDED. USING THE TASCAM AUDIO RECORDER. BOUGHT THE TASCAM IN NOVEMBER 2015. "MEGAN AND THE LAW OF ATTRACTION" WAS AUDIO RECORDED ON MOTHER'S DAY 2016. BASICALLY DURING THE ONE YEAR ANNIVERSARY OF DAVID X. CRICHTON'S "THE PHONE GIRL". 2016 WAS THE YEAR OF HEAVY AUDIO RECORDING. STARTED YOUR AUDIO DIARIES IN LATE 2015. YOU PICKED IT UP IN 2016. 2016 IS THE FIRST YEAR OF YOUR AUDIO DIARIES. NOVEMBER AND DECEMBER 2015 HAD THE BEGINNING DIARIES. CREATIVE DIARIES. IN DECEMBER 2015 YOU AUDIO FREESTYLED THE CREATIVE DIARY. THE 24 HOUR EXPRESSION OF WHERE YOU WANTED TO TAKE YOUR NEWFOUND CREATIVE LEVEL. I WAS SIX MONTHS DEEP INTO THE DAVID CRICHTON PORTFOLIO WHEN THE AUDIO RECORDED APPEARED. GOING INTO DAVID CRICHTON'S FIRST THREE FRANCHISES, I HAD A 24HR VIDEO DIARY. PREPPING THE URGE FOR MORE DIARIES AFTER THE FIRST PROJECTS. BACK AND FORTH I WENT. BETWEEN DIARIES AND CREATIVE DIARIES. PRODUCTION DIARIES. PRODUCTION DIARIES OF NOVELS AND SCRIPTS. THE NOVELS AND SCRIPTS THEMSELVES. AUDIO DIARIES. IMPROMPTU VERSE NOVELS. GOING INTO 2017. I WAS AUDIO RECORDING HUNDREDS OF HOURS OF MATERIAL EVERY SEASON. I WAS RECORDING LIKE CRAZY. WRITING AND RECORDING. WRITING AND RECORDING. THE SPRING OF 2017. I AUDIO RECORDED FILM SCRIPTS IMPROMPTU. FOR LIKE THREE MONTHS. ON AVERAGE 30 PROJECTS PER MONTH. ONE PER DAY. I KNOW THE FIGURE IS CORRECT BUT I STILL FEEL WEIRD SAYING IT. [YOURLISTEN.COM](https://YOURLISTEN.COM) HOLDS THE MAJORITY OF THE AUDIO FILES. I AM IN THE PROCESS OF EDITING VIDEOS WITH THE AUDIO FILES INSIDE NOW. IAMMICKEII. CHAD HARRIS. THEWHITERABBIT. THE THREE USER NAMES FOR YOUR LISTEN. YOUR LISTEN DOESN'T LET YOU LOOK UP USER NAMES. TYPE IN THE CHAD DIARY. THIS WILL PULL UP TWO ACCOUNTS. PARAMORE LAND. ALL ACCOUNTS SHOULD BE ACCOUNTED FOR THEN. ON SOUNDCLOUD. CHAD HARRIS 20. [DXCEXPERIENCE.BLOGSPOT.COM](https://DXCEXPERIENCE.BLOGSPOT.COM). [LULU.COM](https://LULU.COM) HOLDS THE PUBLICATIONS. DAVID X CRICHTON. VANESSA B. STALLONE. THE PEN NAMES FOR THE PUBLICATIONS ON LULU. IN OCTOBER OF 2017, I MOVED TO SYRACUSE, NEW YORK. I MOVED BACK TO GEORGIA ON VALENTINE'S DAY 2018. I MOVED BACK TO SYRACUSE ON AUGUST 10TH, 2018. I BOUGHT THE BUS TICKET ONE DAY IN ADVANCE. COST HALF THE OVERTIME CHECK. I MISSED NEW YORK STATE. I MISSED SYRACUSE. I LOVED IT HERE. I LOVE IT HERE. IT'S AWESOME. I REALLY ENJOY IT. IT'S VERY PEACEFUL. THERE ARE CAMERA'S ON THE STREET. MAKES ME FEEL SAFE. JACK FROST IS VERY ACCOMODATING. I LOVE THE ARCHITECTURE HERE AS WELL. MAKES ME WANT TO STUDY ARCHITECTURE EVEN MORE SO.
11:31PM EST -
12:43AM EST - 1:02AM EST
TUESDAY APRIL 7TH, 2020
4.7.2020
WEDNESDAY APRIL 8TH, 2020
4.8.2020
CHAPTER FOUR: VANESSA HONEY MALONE, NAIJAH GROVER SR. AND J.D. ROCKMAN
I AM LISTENING TO MY RENDITION, READING OF "ROMEO AND JULIET". I SERVE AS GOOD A MAN AS YOU. YES BETTER SIR. YOU LIE. REMEMBER THY SMASHING BLOW. ENTER BENVOLIO. PUT UP YOUR SWORDS. ENTER TYBALT. LOOK UPON THY DEATH. THEY FIGHT. I USE PEN NAMES FOR THE PUBLICATIONS. I USE PEN NAMES FOR MANY REASONS. THE DAVID CRICHTON PEN NAME. DAVID IS MY FATHER'S NAME. MIKE CRICHTON IS MY FAVORITE AUTHOR AS A TEEN. "JURASSIC PARK" "THE LOST WORLD: JURASSIC PARK". "SPHERE". "CONGO". "DISCLOSURE". "THE GREAT TRAIN ROBBERY". "ANDROMEDA STRAIN". "A CASE OF NEED". "TIMELINE". "THE 13TH WARRIOR". "EATERS OF THE DEAD". "RISING SUN." "TRAVELS." "E.R.". "WESTWORLD"? THE CURRENT PEN NAMES. THE CURRENT PEN NAMES ARE CREATED IN THE HONOR OF MY DEAD HOMIES. THE FALLEN SOLDIERS I MET ON MY JOURNEYS. THRU OUT THE YEARS, I MET A FEW PEOPLE WHO PASSED. THESE PEOPLE HAPPENED TO BE CLOSE TO ME. I FELT THE PAIN OF THEIR PASSING. UP CLOSE. VANESSA HONEY MALONE. SOMEONE WAS ARRESTED IN THE 8YR OLD COLD MURDER CASE. MY MOTHER TEXTED ME WITH THE LINK TO THE ARTICLE. AS I WAS READING THE ARTICLE, MY MOTHER CALLED ME. SHE RECOGNIZED THE NAME. VANESSA HONEY MALONE. I ALWAYS MENTION HER. HER NAME IS BASICALLY MY PEN NAME. I TOOK A NAP TO REFRESH THE BRAIN. THINKING MAYBE I WOULD DREAM HER IMAGE OR MEMORY UP.VANESSA STALLONE IS THE CURRENT PEN NAME. NAIJAH CLOVER IS THE NEXT PEN NAME. NAIJAH GROVER SR. I MET NAIJAH GROVER SR. DURING THE SUMMER BEFORE MY SENIOR YEAR AT SALEM HIGH. CLASS OF 2008. NAIJAH WAS THE CLASS OF 2009. I INVITED NAIJAH'S MOTHER TO MY GRADUATION. KEVI WAS AT MY GRADUATION. KEVI GRADUATED FROM SALEM TEN YEARS LATER. CLASS OF 2019. NAIJAH DIED WITH TWO OTHER CLASSMATES, DERRON AND TERRENCE ON MOTHER'S DAY 2008. NAIJAH NEVER SAW BARACK OBAMA POP UP. HE MAY HAVE ONLY SEEN A GLIMPSE. NAIJAH HAD A SON AFTER HE PASSED. NAIJAH WAS BLESSED FOR THAT.
8:05AM EST -
CHAPTER FIVE: THANK YOU AND COME AGAIN MY FRIEND
THE SYRACUSE FILM FESTIVAL. OCTOBER'S VERY OWN. I AM ENTERING. GOD WILLING. I AM GOING THRU THE RAW FOOTAGE. I WILL INCLUDE SHAKESPEARE AUDIO. THIS AUDIO BOOK IS INCLUDED. THE CHAD FILM. SOMETHING I HAVE BEEN WAITING ON FOR TEN YEARS. I AM NOT SURE WHAT THE OUTCOME WILL BE. I HAVE PUBLICATIONS. NOVELS. FOR FILM SCRIPT RIGHTS. FILM SCRIPTS. MY WAY OF ENTERING CONSIDERATION FOR LITERARY HISTORY. THE LITERARY LEGACY. MY WAY OF HAVING A CHAD FILM REGARDLESS OF LIFE. PROPER ACTION. NOW, EDITING THE RAW FOOTAGE, I REALIZE, I AM MAKING THE CHAD FILM THERE. THAT IS A CHAD FILM. SO NOW, I HAVE TO MAKE THE CHAD FILMS AS IF, I NEVER MAKE IT TO HOLLYWOOD. THIS WAY, THE CHAD FILMS ARE AS POWERFUL AS I CAN MAKE THEM. THE COMBINATION OF THE AUDIO FROM 2015 ON AND THE RAW FOOTAGE FROM 2011 ON. 11:00PM EST - 11:29PM EST I SPEND THE DAYS. THE DAYS IN WHICH I AGE. TO CONTINUE TO GRASP THE MOMENTS. LEAVING ME AMAZED. AMAZED BY THE FACT I AM STILL HERE. I CAN STILL HEAR. HEARING WITH THE STILL EAR. STILL EARS. LIFE IS STILL CLEAR. IT IS CLEAR. IN THESE TRYING TIMES. WE MAY BE IN THE DYING TIMES. SO IF I AM DYING I. ONLY NEED TO RECTIFY. I DIDN'T SEE WITH RECKLESS EYES. KEPT CONTROL OF THE RECKLESS SIDE. I NEVER WANTED TO WASTE. THE TIME I HAD. IN THESE TIMES IN WHCH I WAS PLACED. DEFINITELY NOT MISPLACED. EVEN THOUGH I ALWAYS FELT OUT OF SYNC. WITH THIS PLACE. I WAS IN SYNC. WITH THE DARLING INSTINCT. REALLY. REALLY REALLY IS WHAT I THINK. WHEN IT COMES TO POP CULTURE. PLOPPED DOWN LIKE A VULTURE. NO DRAKE I GOT CULTURE NO BLOOD. UGH. YEA. HA. IMMERSED IN CULTURE LIKE MERSA. NO CRUD. WHAT? MORE LIKE YUCK. I BE STUCK. I WAKE UP LIKE WTF. I'M STILL HERE. SO I'M STILL CLEAR. MINDED. THE DESTINY OF MINE I BETTER FIND IT. I'M RUNNING OUT OF TIME AND TO THIS I'M BLINDED. YOU COULDN'T BLIND SIGHT IT. EASTER SUNDAY APRIL 12TH, 2020 - 7:11PM EST - 7:45PM ESTI JUST WOKE UP. THANK GOD. FIRST THING I DO? I THANK GOD. AS I LAY IN AWE. I ONLY SAY WHAT I SAW. I ONLY PLAY WITH IT ALL. I TAKE NAPS BEFORE THE MIND FALLS. VICTIM TO THE DARK MIND'S PAWS. AW. I TOOK THE NAP. FOR THE CLARITY IT GAVE BACK. AWOKE TO A SLAP. OR AWOKE FROM A SLAP. I WOKE UP FROM A DREAM. TO WAKE UP IN A DREAM. TWO DREAMS. LIFE IS JUST TWO DREAMS. YOUR WHOLE LIFE. YOU CAN CONFUSED. OVER WHAT GIFTS YOU MISUSE. OR DON'T WANT TO USE. WHICH IS AGAIN TO MISUSE. OR GIFTS YOU DON'T WANT TO LOSE. THE SAME GIFTS THE DEEPEST STATE DOESN'T WANT YOU TO CHOOSE. SO CHOOSE FOR YOUR LIFE. WHICH DREAM IS REAL? WHAT MAKES THIS DREAM MORE REAL? WHAT MAKES THE DREAM WORLD LESS REAL? WHEN YOU'RE TERRIFIED IN YOUR DREAMS. YOU WAKE UP. IN THIS DREAM. YOU CAN END UP TERRIFIED UNTIL IT'S ALL OVER. THERE IS NO WAKING UP FROM THIS DREAM WITHOUT LEAVING. THIS IS THE LONG DREAM. THE DREAMWORLD. WHEN SLEEP. MAY BE THE CLOSEST TO OUR ORIGINS. WE SEE. HOWEVER INDEED IT ALL MAY ACTUALLY BE. I WOKE UP TO PHONE NUMBER OF ROCKMAN'S MOM. JD HUTCHINSON. I GET TO BE IN CONTACT WITH HIS FAMILY AGAIN. I HAVE BEEN IN CONTACT WITH CRYSTAL LATRICE ALL YEAR. NOW I CAN REACH OUT TO UNCLE WALLY AND ROCK'S GRANDPARENTS. RON?
1:11AM EST - 1:46AM EST
FRIDAY APRIL 17TH, 2020
4.17.2020
FRIDAY APRIL 17TH, 2020
4.17.2020
11:00AM EST - 11:11AM
CHAPTER SIX: TALKED TO ROCK'S MOM
I TALKED TO JOSH D. HUTCBINSON'S MOTHER. I TALKED TO MS. SADONNA FOR AN HOUR. WAS INTRODUCED TO HER HUSBAND RON. I MISSED HEARING HER VOICE. I ENJOYED HEARING HER VOICE. MARCUS AND NAY ARE GETTING MARRIED. I CHERISH HAVING THEM IN MY PAST MOMENTS OF GROWTH. I CHERISH THE OPPORTUNITY TO RECONNECT WITH THEM ALL. I WILL KEEP IN CONTACT WITH THEM ALL. I HAD GREAT TIMES LIVING WITH THEM. I WAS LIVING WITH HER AND ROCK FROM SEPTEMBER 2016 TO MARCH 2017. THE FIRST YEAR OF DAVID X CRICHTON. I HAD PUBLISHED "THE PHONE GIRL" THAT SPRING. I HAD PUBLISHED "CLEVERLAND" THAT SPRING. ROCK HAD A COPY OF "CLEVERLAND". "CLEVERLAND AND CLEVERFIELD". HE READ SOME OF IT IN FRONT OF ME. HE SAID. "I CAN RAP THIS BRO". I LOOK FORWARD TO WRITING A VERSE NOVEL UNDER THE TITLE. IT JUST FELT REALLY GREAT TO HEAR HIS MOTHER'S VOICE. I CHERISH THE TIME I WAS THERE. AS ROUGH AS IT GOT AFTER HIS DEATH, I DON'T REGRET ANYTHING. I AM PROUD I MET HIM. HE HAD FAITH IN THE JOURNEY I WAS ON. HE TOLD ME I WOULD BE RICH BUT THAT WASN'T WHY HE WAS MY FRIEND. I REMINDED HIM OF HIS LITTLE BROTHER. COREY. HE TOLD ME FOCUS ON MY BOOKS AND NOT SMOKING. HE WAS A REAL FRIEND. I HAVE NOTHING BAD TO SAY ABOUT THEM EVER. I MISS HIM. I THINK ABOUT HIM DAILY. I ALWAYS COUNTDOWN. THREE YEARS. FOUR YEARS COME CHRISTMAS. I MADE A PEN NAME FOR HIM BY THIS POINT. I LOOK FORWARD TO STARTING AND COMPLETING THE FIRST TRILOGY. CLEVERLAND IS A REAL PLACE. IT IS IN YOUR MIND. YOU GET THERE USING YOUR MIND. IT IS A REALM YOU ENTER THRU YOUR MIND. CLEVERLAND IS CLOSED ON SUNDAYS. JOKING. THE FOREX MARKET IS CLOSED ON SUNDAYS. THE STOCK MARKET IS CLOSD ON SUNDAYS. I FULLY DISCOVERED "CLEVERLAND", THE PLACE, IN 2015. BY JANUARY TO MARCH, 2016, "CLEVERLAND THE VERSE NOVEL" WAS BEING WRITTEN. "CLEVERLAND" IS WHERE I LEARNED TO GO, TO PULL OUT MY IDEAS FROM. "CLEVERLAND" IS WHERE THE IDEAS ORIGINATE FROM. "CLEVERLAND" BECAME MY HOME. MENTALLY I HAVE BEEN TRAVERSING THRU CLEVERLAND MY ENTIRE LIFE BUT I DIDN'T HAVE A NAME FOR IT. NOW I KNOW THE NAME. THE FORMULA FOR WRITING THE DAVID CRICHTON NOVELS, CAME FROM "CLEVERLAND". "CLEVERLAND AND FRIENDS" COMING SOON. NOW, YEARS LATER, "CLEVERLAND" HAS A NEW MEANING TO ME. EMOTIONALLY, "CLEVERLAND" HELPS ME STAY ENTHRALLED IN "CLEVERLAND". "REALITY IS CREATED". "CLEVERLAND" IS THE LAND, THE REALM OF IDEAS ARRIVES FROM OR DWELLS IN. IDEAS LIVE IN "CLEVERLAND". SO IF I LIVE IN CLEVERLAND, WITH ALL OF MY SPARE TIME, WITH ALL OF MY BEING. YOU TAP INTO "CLEVERLAND" ALONE. ONCE THE CONNECTION IS STRONG HOWEVER, YOU SHALL WIN THE WAR. YOU WILL BE ABLE TO TAP INTO CLEVERLAND, WHENEVER, FOR HOWEVER LONG. 7:00PM EST - 8:03PM EST4.20.2020
THE THING ABOUT CHAD. CHAD IS A HUMAN. CHAD IS AN ARTIST. CHAD IS AN ARTISTIC HUMAN. I WRITE WHAT I FEEL. I WRITE THE DEEPEST THOUGHTS I CAN MUSTER. I WRITE AS HONEST AS I CAN BE. THEN I STRIVE TO BE AS HONEST AS I CAN WITH MY ADMISSIONS. CHADMISSIONS. THE CHAD MISSION. THESE ARE DIARIES. IN ESSENCE. I MASKED THEM AS NOVELS THE BEST I COULD. I ONLY KNEW ME. ALL I KNOW IS ME. SO I WRITE ME DOWN ON PAPER. FROM THERE IT'S BE AS CREATIVE AS YOU CAN BE. CLEVERLAND IS ME. I AM ALWAYS IN A STATE OF CREATIVE BEING. CFK IS ME. I AM ENTHRALLED BY HISTORY NOW BC OF JFK. THE PHONE GUY IS ME. MEGAN THE PHONE GIRL CREATED DAVID CRICHTON. SHE BROKE ALL ILLUSIONS ON THE OPPOSITE SEX. SH HAPPENS. IT JUST DOES SOMETIMES. I GOT WHAT I ALWAYS WANTED. CREATIVELY. IT WAS ALCHEMY. THERE WAS A TRADE. MY EMOTIONS WOULD CATALYZE EVERY BOOK. EMOTIONALLY I COULDN'T HANDLE ANY DEVASTATION FROM A PERSONAL LIFE PURSUIT. EMOTIONALLY EVERYTHING GOES INSIDE OF THE PORTFOLIO. THE ONLY THING I COULD EVER CONTROL. THE REALIZATION THAT ANOTHER PERSON WILL DO WHAT THEY WANT. REALIZING THE DYNAMICS OF MULTIPLE PERSONALITY DISORDER. HAVING MULTIPLE PERSONS AROUND YOU CAN LEAD TO DISORDERS IS WHAT I AM SAYING. THIS WAS 2015. BEFORE MASS COVID SCARE. I WAS ALREADY ON THE TIP. PAUSING. I HAVE BEEN SCARED OF OTHER PEOPLE FOR FIVE YEARS AT LEAST. THE TRUST ISSUES I HAVE INCURRED FROM PERSONAL EXPERIENCES WITH FRIENDS, FAMILY AND THE OPPOSITE SEX GENDER HAVE PREPARED ME FOR THIS. THOROUGHLY. 9:40AM EST - 9:55AM EST4.21.2020